Shark Bait / Mamac

Gregor Schnitzler

JURSKI SVIJET: PAD KRALJEVSTVA

Prava cijena online poslova / The Gig is Up

MALCI 2: KAKO JE GRU POSTAO GRU

Elvis

Jasmila Žbanić

Gorbačov Raj

Top gun : Maverick

Žica / The Wire

I Am Greta

Siddhant Sarin, Debankon S. Solanky

Apox 2022

Mirror

Press Play

Svjetlosni

BELLE: ZMAJ I PJEGAVA PRINCEZA

ZECKO KOŠ I TAJNA MRKOG HRČKA

ODVAŽNA IVA I SKRIVENO BLAGO MAGLOGRADA

ZLOČIN U HOLLYWOODU

<h3>Watch to enjoy</h3>
We always wonder if it is possible for that to happen to us, looking at a film that hits us like a shotgun. Some are fans of thrillers, some documentaries, some are just watching a movie to take a break for ordinary life. While some experience movies completely differently, they look at the shots and the way it was shot, the conversation, how a certain action was performed. Everyone projects a movie in their head in their own way. So everyone looks at a film with different eyes and that&rsquo;s what makes us, that&rsquo;s what allows us to share different opinions with each other. It is not only important to watch the film, whether it is an A, B or C production, even an amateur work, but it is also important to enjoy it. And that's why there is a cinema, to meet people who would not otherwise see each other anywhere, on the road or in a bar, but in a cinema. There are peculiarities of different worldviews in cinema, and that is good, and in cinema, you can find a friend who will turn your bad day into a good one and who will remove everything bad with his discussion, at least for that one moment. Watching a movie is not an obligation, but a pastime that allows us to enter the world we would like to be in, the imaginary world we dream of. A world that is different from others, that fiction that allows us to accomplish at least for a moment the impossible. So enjoy the movie.
<h2>Uživaj u filmu</h2>
Uvijek se pitamo da li je moguće da se to de&scaron;ava nama, gledajući u filmski uradak koji nas pogodi kao iz strijele. neki su ljubitelji trilera, neki dokumentaraca, neki samo gledaju film radi odu&scaron;ka. Dok neki taj film doživljavaju sasvim drugačije, gledaju kadrove i način snimanja, razgvoro, na koji je način izvedena određena radnja. Svatko na svoj način projicira film u svojoj glavi. Tako svatko gleda drugačijim očima na neki film i to je ono &scaron;to nas ostvaruje,to je ono &scaron;to nama s drugima omogućuje da međusobno dijelimo različita mi&scaron;ljenja. Nije samo bitno da pogledamo flim, da li je A, B ili C produkcija, čak i amaterski uradak, bitno je da uživamo. I zato je tu kino , da se upoznaju ljudi koji inače se ne bi vidjeli nigdje drugdje, na cesti ili u baru, već u kinu. U kinu se nađu osobite različitog svjetonazora, i to je dobro, i u kino možete naći prijatelja koji će Vam Va&scaron; lo&scaron; dan pretvoriti u dobar i koji će svojom diskusijom barem na taj jedan trenutak maknuti sve lo&scaron;e. Pogledati film, nije obveza, već razonoda koja nam omogućava da uđemo u svijetu u kojem bi htjeli biti, onaj imagiarni svijet o kojem sanjamo. Svijet koji je drugačiji od drugih, onaj fiction koji nam omogućuje da ostvarimo barem na trenutak nemoguće. Zato uživajte u filmu.

Wonderer

Svijet filma je postao drugačiji, razvoj novih tehnologija je sama kina stavio na koljenja, jer većina gledatelja se orIjentirala na streaming servise, koji pružaju doživaljaj na razini kina. Ali moramo biti svijesni da onaj osjećaj basa, onaj osjećaj uzbuđenja koji se de&scaron;ava pred sam film, I kokice koje jedemo ili neke druge grickalice prije samog početka. Adrenalin koji dolazi, kada se pusti zvuk , ne može se kupiti.Na&scaron; festival, na&scaron;e malo, I simpatično kino je ovdje da prikaže najbolje od najboljeg. Nećemo prodavati priču da smo najbolji. Ali osiguravamo onima koji nemaju mogućnost da se prezentiraju, iz dijela svijeta koji uopće nije zacrtan na mapi dokumentarnih filmova. Omogućujemo publici da sazna nove informacije o mjestima za koje možda nikad nisu čuli. Da li smo svijesni raznolikosti svijeta I Koliko daleko se pruža, daleko oku, nije daleko filmu.Zato prezentiramo dokumentarne filmove socijalne tematike, da otvorimo vidike za ne&scaron;to novo I da publiku upoznamo sa nepoznatim svijetom. Želimo osigurati uživanje , ne želimo velike pompe. Želimo da svaki filmofil ima mogućnost uživati u nekom drugom pogledu na svijet oko nas.Imamo sreću &scaron;to dokumentarne filmove , osobito ovakve tematike nemate priliku vidjeti na malim ekranima,I zato istu dovodimo na velike ekrane. Nezavisna filmska produkcija je zakinuta u nekim segmentima da se prikazuje, , zato mi poku&scaron;avamo u &scaron;to većem aspektu ovog žanra Vama donijeti ono &scaron;to nemate priliku pogledati. Na&scaron; festival obuhvaća samo nezavisni film, malih nezavinih produkcijskih kuća , čak I samostanih umjetnika, koji iznad sebe nemaju velike novce, ali imaju želju I znanje da naprave remek djela. Jer dokumentarci su jedan od boljih načina suočavanja sa svijetom oko nas I za nas. Zato smo mi odabrali najbolje od najboljeg, da Vama bude jo&scaron; bolje&nbsp;
 Osnivač i direktor APOX fest-a
 Marko Hesky
Ivana &Scaron;eparović - kodirektorica festivala

Zašto smo tu?

The world of film has become different, the development of new technologies has brought cinema itself to its knees, as most viewers have focused on streaming services, which provide a cinema-level experience. But we have to be aware that that feeling of bass, that feeling of excitement that happens in front of the movie itself, and the popcorn we eat or some other snacks before the very beginning. The adrenaline that comes, when the sound is played, cannot be bought. Our festival, our little, and cute cinema is here to showcase the&nbsp;best of the best. We will not sell the story that we are the best. But we provide for those who don&rsquo;t have the opportunity to present themselves, from a part of the world that isn&rsquo;t mapped out at all on the documentary map. We allow audiences to learn new information about places they may have never heard of. Are we aware of the diversity of the world and how far it stretches, far to the eye, not far from the film. That is why we present documentaries on social issues, to open vistas for something new and to introduce the audience to the unknown world. We want to ensure enjoyment, we don&rsquo;t want big pomp. We want every film buff to have the opportunity to enjoy a different view of the world around us.We are lucky that you do not have the opportunity to see documentaries, especially topics like this, on small screens, and that is why we bring it to the big screens. Independent film production is deprived in some segments to be shown,, so we try to bring you what you don't have a chance to see in as large an aspect of this genre as possible. Our festival includes only independent film, small independent production houses, even monastic artists, who do not have a lot of money above them, but have the desire and knowledge to make masterpieces. Because documentaries are one of the better ways to deal with the world around us and for us. That is why we have chosen the best of the best, to make you even better&nbsp;
 Founder and director of APOX fest and codirector Marko Hesky
Ivana &Scaron;eparović

APOX for you and me

Take a look what we say for filmdaily <a title="" href="https://www.filmfestivals.com/blog/editor/highlights_from_apox_film_festival_2021" target="_blank" rel="noopener">Filmdaily</a>

Filmdaily

Cro:
Prije samog otvorenja filmskog festivala APOX, pozivamo Vas na izložbu slika koja će se odvijati u Kino sali VELI LO&Scaron;INJ 28.09. u periodu od 16-18:30 na&scaron;e domaće umjetnice Sare &Scaron;irole. Budite dio ove izložbe i najavite se na dolazak mailom na reliveudruga@gmail.com, ili preko poruke na dru&scaron;tvenim mrežama.
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Očekujemo Vas u velikom broju
ENG:
Before the opening of the APOX film festival, we invite you to an exhibition of paintings that will take place in the Cinema Hall VELI LO&Scaron;INJ 28.09. in the period from 16-18: 30 of our local artist Sara &Scaron;irola. Be a part of this exhibition and announce your arrival by email at reliveudruga@gmail.com, or via message on social networks.
&nbsp;
 We are expecting you in large numbers

Get to know local artist - Sara Širola

Opening ceremony of APOX film festival 2021

Opening ceremony of APOX 2021 with Daizy Gedeon

<h3>We want to congratulate all the winner's of this year FILM Festival APOX 2021</h3>
<img style="display: block; margin-left: auto; margin-right: auto;" src="https://vr-softdev.kreda.hr/kino-cms/assets/aded5337-d25b-44cc-b7f3-60bcfbf9388e" alt="Winner Apo Xfilmfestival 2021" width="249" height="165" />
<h3>Shuli Victor - Send in the clown - For best debut movie</h3>
<h3>Ivan Milosavljević - Blue Frontier - For best short documentary movie</h3>
<h3>Shany Moran Haziza - Murder Most Modest - For best feature documentary movie</h3>

Winner's of this year APOX 2021

Ove godine smo službeni prijatelj Zagreb film festivala, te ćemo kao kino prezentirati dio ZFF programa.
&nbsp;
20.11. u 17:00 film Jo&scaron; samo malo&nbsp;&nbsp;
Trailer : <a title="" href="https://www.youtube.com/watch?v=UEIj7FIjVo8" target="_blank" rel="noopener">Jo&scaron; samo malo</a>
<img src="https://vr-softdev.kreda.hr/kino-cms/assets/272bb96d-8e5c-470e-9b81-0b98017a9ae6" alt="Jo&scaron; samo malo" width="400" height="593" />
Trinaestogodi&scaron;nji Iranac Ramin živi sa svojom obitelji u izbjegličkom centru u Finskoj. Ba&scaron; kada počne uživati u &scaron;kolskim praznicima, njegova obitelj dobiva potresnu vijest da im je odbijen azil. Raminovi roditelji podnose posljednju žalbu i nastavljaju dalje sa svojom svakodnevicom, trudeći se zadržati pozitivan stav unatoč prijetnji deportacije. U međuvremenu Ramin kreće u &scaron;kolu, gdje svaki novi trenutak i prijateljstvo postaju dragocjeniji nego ikad. Prikazan na Berlinaleu u programu Generacija KPlus, Any Day Now emotivna je i topla priča o borbi za sreću i opstanak usred neizvjesne budućnosti te važnosti empatije i jednostavnih užitaka.
&nbsp;
21.11. 18:00 film Oaza&nbsp;
Trailer : <a title="" href="https://www.youtube.com/watch?v=e7XuOAjGYAs" target="_blank" rel="noopener">Oaza</a>
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<img src="https://vr-softdev.kreda.hr/kino-cms/assets/83c95291-217e-4ab0-a27d-c4400c2922d3" alt="Oaza" width="995" height="541" />
Pobjednik 18. izdanja Zagreb Film Festivala te ovogodi&scaron;nji srpski kandidat za nagradu Oscar, film Oaza je premijerno prikazan u Veneciji, gdje je osvojio prestižnu nagradu Europa Cinemas Label. Tinejdžerka Marija dolazi u dom za mlade s posebnim potre- bama. Ondje se brzo sprijateljuje s temperamentnom Draga-nom. No kada se obje djevojke zaljube u povučenog Rober-ta, među njima počinje opasna igra nadmetanja. Osuđeno na izolaciju od dru&scaron;tva i život sputan mrežom rigidnih pravi-la, troje tinejdžera čezne za slobodom i povezanosti. Pod snažnom navalom novih emocija, djevojke će svojim impul-zivnim postupcima unijeti nered u krhki mir doma, a njihov će nasilni sukob prerasti u očajničku potragu za izlazom. Li&scaron;ena pretjerane melodrame, ova neobična ljubavna priča svoju autentičnost duguje i činjenici da u ulogama glavnih likova nastupaju stvarni &scaron;tićenici doma za mlade.

ZFF putuje u Velom Lošinju

9.11., održala se UK premijera filma Dinastija Gucci/House of Gucci.
Video sa premijere&nbsp;
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<video controls="controls" width="300" height="150"><source src="https://vr-softdev.kreda.hr/kino-cms/assets/ce0dfe24-9d74-46a1-96b6-de6d8efb4993" /></video>
Iako se službeno zove UK premijera ovo je bio najveći internacionalni događaj vezan za ovaj film.
Na crvenom tepihu pojavili su se:
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<ul style="font-weight: 400;">
<li>Lady Gaga</li>
<li>Adam Driver</li>
<li>Jared Leto</li>
<li>Salma Hayek</li>
<li>Jeremy Irons</li>
<li>Camille Cottin</li>
<li>Jack Huston</li>
</ul>
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Bliži se datum izlaska zasigurno najprovokativnijeg filma 2021. godine &ndash; Dinastija Gucci.
<img style="display: block; margin-left: auto; margin-right: auto;" src="https://vr-softdev.kreda.hr/kino-cms/assets/b5c9cb4d-c030-453e-9239-1a8bddd6504b" alt="Dinastija Gucci" width="601" height="338" />
Borba za vlast, porezne prevare, optužba za incest i naručeno ubojstvo. Priča je ovo o nasljednicima osnivača luksuznog talijanskog brenda Gucci koji obilježava stogodi&scaron;njicu osnutka i uzbudljivija je od bilo kojeg krimića.
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U režiji je slavnog Ridleya Scotta koji je potpisao velike filmske hitove poput Gladiator (2000.), Blade Runner (1982.), i Alien (1979.).
<img src="https://vr-softdev.kreda.hr/kino-cms/assets/d5d42d01-9603-43bb-a836-47dfb2987349" alt="Gucci" width="605" height="340" />
Osim slavnog redatelja, Dinastija Gucci okuplja najzvučnija glumačka imena - Lady Gaga, Adam Driver, Jared Leto, Jeremy Irons, Jack Huston, Salma Hayek i Al Pacino.
Patrizia Reggiani (Lady Gaga) bila je u braku s Mauriziom Guccijem (Adam Driver) od 1972. do 1994. godine. Nakon raspada njihovog braka Reggiani je naručila njegovo ubojstvo.&nbsp;
Crna udovica Reggiani bila je osuđena na 29 godina zatvora, odležala je 18 godina i od 2016. je na slobodi. Otada je mnogo i često govorila o svom zlodjelu, ali bez imalo kajanja. Kad su je novinari jednom pitali za&scaron;to nije sama pucala u Maurizija, odgovorila je da lo&scaron;e vidi, a nije htjela proma&scaron;iti.
 
Trailer: <a title="" href="https://www.youtube.com/watch?v=To8_JnER9eE&nbsp;" target="_blank" rel="noopener">Dinastija Gucci trailer</a>
 
U KINU VELI LO&Scaron;INJ 05.12.2021. U 20:00 REZERVIRAJ KARTU NA VRIJEME&nbsp; <a title="" href="https://www.ulaznice.hr/r/Kino_Veli_Losinj" target="_blank" rel="noopener">KUPI ULAZNICU</a>
GLUMCI: Lady Gaga, Adam Driver, Jared Leto, Jeremy Irons, Jack Huston, Salma Hayek i Al Pacino
REŽIJA: Ridley Scott
SCENARIJ: Becky Johnston and Roberto Bentivegna
PRODUCENTI: Ridley Scott, p.g.a., Giannina Scott, p.g.a., Kevin J. Walsh, p.g.a., Mark Huffam, p.g.a.
IZVR&Scaron;NI PRODUCENTI: Kevin Ulrich, Megan Ellison, Aidan Elliott, Marco Valerio Pugini, Aaron L. Gilbert, Jason Cloth
ŽANR: kriminalistička drama
DISTRIBUCIJA: Editus d.o.o.

Dinastija Gucci

<h1 style="text-align: center;">PJEVAJTE S NAMA 2</h1>
<img style="display: block; margin-left: auto; margin-right: auto;" src="https://vr-softdev.kreda.hr/kino-cms/assets/2e0196f5-413b-461d-b53e-60eb188a6763" alt="Slika5" width="594" height="321" />
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Ove blagdanske sezone novo poglavlje u sjajnoj animiranoj fran&scaron;izi Illumination stiže s velikim snovima i spektakularnim hitovima dok se uvijek optimistična koala, Buster Moon i njegova zvijezdana ekipa izvođača pripremaju za lansiranje svoje najljep&scaron;e scenske ekstravagancije do sada ... sve u blistavoj svjetskoj prijestolnici zabave. Postoji samo jedna pote&scaron;koća: prvo moraju uvjeriti najzapu&scaron;teniju rock zvijezdu na svijetu - koju glumi globalna glazbena ikona Bono, u svom debiju u animiranom filmu - da im se pridruži.
&nbsp;
 
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img src="https://vr-softdev.kreda.hr/kino-cms/assets/437e6924-e5ed-4fb7-8eb2-5d9ffa3457a6" alt="Slika4" width="296" height="160" /><img src="https://vr-softdev.kreda.hr/kino-cms/assets/92e97e03-78d4-49ea-8bf9-799998151b69" alt="Slika3" width="292" height="158" /> 
&nbsp;
Buster (dobitnik Oscara&reg; Matthew McConaughey) pretvorio je kazali&scaron;te New Moon u lokalni hit, ali Buster ima pogled na veću nagradu: debitiranje nove predstave u kazali&scaron;tu Crystal Tower u glamuroznom Redshore Cityju.
&nbsp;
No, bez ikakvih veza, Buster i njegova ekipa - uključujući majku svinju Rositu (dobitnica Oscara&reg; Reese Witherspoon), rokersku divljač Asha (Scarlett Johansson), ozbiljnu gorilu Johnnyja (Taron Egerton), sramežljivu slonicu Meenu (Tori Kelly) i, naravno , svinjskog provokatora Guntera (Nick Kroll)-morali su se provući do svjetski poznatih ureda Crystal Entertainmenta, kojim upravlja nemilosrdni vuk mogul Jimmy Crystal (dobitnik Emmyja Bobby Cannavale).
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img src="https://vr-softdev.kreda.hr/kino-cms/assets/204c5866-e3bc-4df2-9504-4054c394c744" alt="Slika1" width="299" height="161" /><img src="https://vr-softdev.kreda.hr/kino-cms/assets/9160f25d-41f7-4d65-92d6-7d829745c9e8" alt="Slika2" width="299" height="161" />
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U očajničkom poku&scaron;aju da privuče pozornost gospodina Crystala, Gunter spontano izlaže nevjerojatnu ideju s kojom Buster brzo bježi, obećavajući da će u njihovom novom showu nastupiti legenda lavovskog rocka Clay Calloway (Bono). Problem je u tome &scaron;to Buster nikada nije upoznao Claya, umjetnika koji se prije vi&scaron;e od desetljeća zatvorio od svijeta nakon gubitka supruge. Jo&scaron; gore, Buster nije uspio shvatiti da je gospodin Crystal egocentrični gangster koji bi radije nekoga bacio s krova zgrade nego da mu lažu.
&nbsp;
Dok Gunter pomaže Busteru u smi&scaron;ljanju izvanzemaljskog kazali&scaron;nog remek-djela, te sa pritiscima (i zlokobnim prijetnjama) g. Crystala Mounta, Rositinu glavnu ulogu u showu otimaju i predaju razmaženoj kćeri gospodina Crystala, Porshi, koju glumi Halsey umjetnica nominirana za Grammy. Očajnički želeći spasiti predstavu i svoj život, Buster kreće u potragu za Clayom i uvjerava ga da se vrati na pozornicu.
&nbsp;
Ono &scaron;to počinje kao san o velikom uspjehu postaje emocionalni podsjetnik na moć glazbe da izliječi čak i slomljeno srce.
&nbsp;
Scenarij i režiju pjesme Sing 2 potpisuje priznati redatelj Garth Jennings, a sadrži dodatne nove likove koje glume glazbena superzvijezda Pharrell Williams, Letitia Wright iz Black Panthera i komičari Eric Andre i Chelsea Peretti.
&nbsp;
Film je producirao osnivač i izvr&scaron;ni direktor Illuminationa Chris Meledandri i Janet Healy. Sing 2 kombinira desetke klasičnih rock i pop hitova, energične izvedbe, umjetnost od koje zastaje dah i prepoznatljiv humor i srce Illumination-a za ovaj filmski događaj godine.
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U kinima SINKRONIZIRANO , KINO VELI LO&Scaron;INJ 11.12. u 18:00
 
ŽANR: Animirani film&nbsp;
ULOGE: Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Taron Egerton, Tori Kelly, Nick Kroll, Bobby Cannavale, Halsey, Pharrell Williams, Letitia Wright, Eric Andre, Chelsea Peretti i Bono
SCENARIJ: Garth Jennings
REŽIJA: Garth Jennings
PRODUCENTI: Chris Meledandri, Janet Healy
&nbsp;
Rezerviraj kartu na vrijeme <a title="" href="https://www.ulaznice.hr/r/Kino_Veli_Losinj" target="_blank" rel="noopener">Ulaznice za SING2</a>
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Sing 2 dolazi u Kino Veli Lošinj

Film 'Toma' impresionistički je portret Tome Zdravkovića koji prikazuje njegove same početke, ba&scaron; kao i vrhunac slave, njegove ljubavi koje su ga inspirirale prilikom komponiranja nekih od najvećih hitova, ali i odnos s velikim brojem prijatelja koje je imao u umjetničkom miljeu tada&scaron;nje Jugoslavije.
Pored Tome, kroz film ćemo pratiti i živote poznatih umjetnika tog vremena: Zorana Radmilovića, Mike Antića, Tozovca i drugih. 'Toma' je biografski film o Tomi Zdravkoviću, čovjeku kojeg ne pamtimo samo po njegovim pjesmama i načinu na koji ih je pjevao, već i kao jednog velikog boema - po pona&scaron;anju i u du&scaron;i. Film prati dvije linije radnje: 1991. pratimo odnos Tome i liječnika koji započinje liječenje Tome i kako se to poznanstvo pretvara u prijateljstvo.
<img src="https://vr-softdev.kreda.hr/kino-cms/assets/c76c1023-ae1c-4884-9d1f-e282fe857227" alt="1557860" width="600" height="417" />
Druga linija prati Tomin život: od djetinjstva u Pečenjevcima, preko poznanstva sa Silvanom Armenulić koje će presudno utjecati na njegovu karijeru ali i na privatni život, dostizanja neslućene visine popularnosti, ali i dna života. Ovo je priča o du&scaron;i. Legendarnog Zdravkovića na velikom je platnu utjelovio jedan od najperspektivnijih mladih srpskih glumaca, Milan Marić.
Tamara Dragičević tumači Silvanu Armenulić, a ostatak glumačke ekipe uključuje i Petra Benčinu, Andriju Kuzmanovića, Sanju Marković, Milenu Radulović, Paulinu Manov, Milana Kolaka, Mirjanu Karanović, Ivana Zekića, Radomira Nikolića&hellip; Film su producirali redatelj Dragan Bjelogrlić te Željko Joksimović, koji ujedno potpisuje i glazbu.
&nbsp;
<img src="https://vr-softdev.kreda.hr/kino-cms/assets/16b57242-74d8-4a31-a153-9e076277289b" alt="1557861" width="600" height="417" />
&nbsp;
&nbsp;
Rasprodan je termin u 20:00 pozivamo Vas na projekciju u 17:00 sati 12.12.2021. #kinovelilosinj
&nbsp;
Kontaktirajte za rezervaciju preko #facebooka, preko maila reliveudruga@gmail.com ili preko <a title="" href="https://www.ulaznice.hr/r/Kino_Veli_Losinj" target="_blank" rel="noopener">Ulaznice.hr</a>
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TOMA film u Velom Lošinju

<h2 style="text-align: center;">Licorice Pizza - film s četiri nominacije za Golden Globe uskoro u kinima</h2>
Licorice Pizza je nedavno nominiran za prestižnu Golden Globe nagradu u četiri kategorije: najbolji film u kategoriji mjuzikla ili komedije, najbolji scenarij, najbolja glumica (Alana Haim) i najbolji glumac (Cooper Hoffman).
Dolina San Fernando u Kaliforniji, sedamdesete i slatke boli prve ljubavi kontekst su priče u Licorice Pizza, devetom filmu Paula Thomasa Andersona, proslavljenog redatelja filma Kralj pornića (Boogie Nights, 1997).&nbsp;&nbsp;
Anderson je odrastao u dolini San Fernando i ljubav prema tom mjestu je često dokumentirao u svojim filmovima. &ldquo;Dojma sam kako postoji uvriježeno mi&scaron;ljenje da se filmovi snimaju u Hollywoodu, znate. Hollywood, Hollywood... ali zapravo ne, snimani su u Dolini (San Fernando).&rdquo; Izjavio je na nedavnoj konferenciji.
Ovo je priča o Alani Kane i Garyju Valentineu koji zajedno odrastaju u dolini San Fernando u Kaliforniji i zaljubljuju se jedno u drugo. Radnja je smje&scaron;tena u sedamdesetima i predstavlja petu za redom Andersonovu dramu, prvu nakon Fantomske niti (Phantom Thread, 2017.).
Licorice Pizza je redateljeva ljubavna priča iz djetinjstva, a inspiracija za film bili su mu klasici iz žanra filmova o sazrijevanju, poput Američki grafit (American Graffiti,1973.) i Zlatno doba u Ridgemontu (Fast Times at Ridgemont High,1982.)
&bdquo;Nakon &scaron;to sam mjesecima lupao glavom u zid poku&scaron;avajući smisliti naslov, zaključio sam da me ove dvije riječi najvi&scaron;e podsjećaju na djetinjstvo. Tada je postojao lanac prodavaonica ploča u južnoj Kaliforniji koji se zvao Licorice Pizza i činilo mi se da taj naziv utjelovljuje ozračje koje se osjeća u filmu. Ako pak nemate referencu na prodavaonicu ploča, to su dvije sjajne riječi koje dobro idu zajedno i odražavaju raspoloženje.&rdquo; - ispričao je Anderson za Variety.
&nbsp;<img style="display: block; margin-left: auto; margin-right: auto;" src="https://vr-softdev.kreda.hr/kino-cms/assets/3fc32f36-090d-40e3-addb-6785edf52c76" alt="Images (2)" width="500" height="750" />&nbsp;
Uloga Alane Kane pisana je za glazbenicu Alanu Haim, a kako je Andersonu trebao entuzijastičan i karizmatičan mladić za ulogu Garyja Valentinea, sjetio se sina svog bliskog prijatelja. Riječ je o Cooperu Hoffmanu, sinu pokojnog Philipa Seymoura Hoffmana koji je glumio u čak pet Andersonovih filmova. Mladom Cooperu je ovo prva filmska uloga.&nbsp;
Glavna glumica Alana Haim je za svoju ulogu u filmu nedavno zaradila nominaciju za prestižnu nagradu Golden Globe.
Kao pomoć za pripremu, Anderson je mladim i neiskusnim glumcima dao pregr&scaron;t filmova, i serija iz sedamdesetih godina, kao i glazbene playliste koje bi slu&scaron;ali ujutro prije snimanja. Cooper je dobio i snimku emisije tada popularne radio stanice KPPC, koju je danonoćno slu&scaron;ao.
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Zanimljiv odabir mladih i neiskusnih glavnih glumaca popraćen je postavom poznatih veterana poput Bradleyja Coopera, Seana Penna, Bena Stillera, Maye Rudolf i Toma Waitsa.
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U kinu Veli Lo&scaron;inj 16.01.2022.
GLUMCI: Alana Haim, Cooper Hoffman, Sean Penn, Tom Waits, Bradley Cooper, Benny Safdie
REŽIJA: Paul Thomas Anderson
SCENARIJ: Paul Thomas Anderson
PRODUCENTI: Sara Murphy, Paul Thomas Anderson, Adam Somner
IZVR&Scaron;NI PRODUCENTI: Joanne Sellar, Daniel Lupi, Susan McNamara, Aaron L. Gilbert, Jason Cloth
ŽANR: komedija/drama
DISTRIBUCIJA: Editus d.o.o.

Licorice Pizza

Peter Dinklage u romantičnoj drami
CYRANO&nbsp;
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Cyrano je bezvremenska priča Joe Wrighta, nagrađivanog redatalja (Ponos i predrasude, 2005.), o ljubavnom trokutu uz pregr&scaron;t emocija i lijepu glazbu. Bazirana je na kazali&scaron;noj predstavi s kraja 19. stoljeća o Cyranu de Bergeracu (Peter Dinklage), francuskom pjesniku koji je živio i stvarao u 17. stoljeću.&nbsp;&nbsp;
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<img style="display: block; margin-left: auto; margin-right: auto;" src="https://vr-softdev.kreda.hr/kino-cms/assets/45b25d48-f445-460c-9f05-f7e430989550" alt="C 03303 R" width="600" height="400" />
Cyrano je čovjek ispred svog vremena, koji zadivljuje žestokom igrom riječi na verbalnom natjecanju i briljantnim mačevanjem u dvoboju. Nesiguran u svoj fizički izgled, Cyrano je uvjeren kako nije dostojan ljubavi odane prijateljice, blistave Roxanne (Haley Bennett). &nbsp; Cyrano tek treba izjaviti svoje osjećaje prema Roxanne, a ona se na prvi pogled zaljubljuje u Christiana (Kelvin Harrison, Jr.).
Redatelj Wright je svojevremeno izjavio kako se od malih nogu poistovijećivao s likom u originalnoj francuskoj inačici kazali&scaron;ne predstave na kojoj je film baziran.&nbsp;
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"Bio sam jedno od one djece koja su se osjećala čudnom i nedostojnom ljubavi, &scaron;to me povezalo s pričom" svojevremeno je izjavio za BBC News."Radi se o ljudskoj potrebi za povezivanjem i o tome kako u tome često ne uspijevamo.". Redatelj koji nam je donio filmske klasike poput Pride and Prejudice (2005.) i Atonement (2007.) nastavlja; "Možda ovaj film ispriča ne&scaron;to u &scaron;to vjerujem da predstavlja istinu, a to je da smo vi&scaron;e slični no &scaron;to smo različiti, unatoč vanjskom izgledu.&rdquo;
Tko je Cyrano de Bergerac?
Kazali&scaron;na dramu je 1897. godine napisao Edmond Rostand, i govori o Cyranu de Bergeracu, čovjeku rođenom s vrlo velikim i ružnim nosom, zbog čega se osjećao neprihvaćenim.
 
U orginalnoj kazali&scaron;noj drami, Cyrano je talentirani pjesnik i izvrstan mačevalac koji je potajno zaljubljen u ženu po imenu Roxane, koja je i sama ljubiteljica poezije. Cyrano, svjestan svog izgleda i u strahu od odbijanja, traži način kako Roxani otkriti svoje prave osjećaje. Roxane se inicijalno počinje zaljubljivati u zgodnog vojnog kadeta po imenu Christian, no budući kako Christian nije vičan pisanju, Cyrano se uključuje u igru te umjesto Christiana počinje pisati pjesme i ljubavna pisma.&nbsp;&nbsp;
Film ilustrira nekoliko tema &ndash; moć jezika, prijevaru te kompleksnost odnosa u ljubavnom trokutu i unutarnju borbu u kojem se sučeljavaju vanjski izgled i unutarnja vrijednost.&nbsp; Po riječima redatelja Wrighta, film govori o tome &ldquo;koliko često ne uspijevamo povezati se s drugim ljudima iz straha o tome kako će nas percipirati&rdquo;.
Omiljeni Peter Dinklage, &scaron;iroko poznat po svojoj ulozi u seriji Igre Prijestolja planira nekoliko novih filmskih projekata, a za glumicu Haley Bennett ovo će biti debitanska uloga.&nbsp;
<img style="display: block; margin-left: auto; margin-right: auto;" src="https://vr-softdev.kreda.hr/kino-cms/assets/ca19d281-9a1e-4acf-9a12-a6354c16340d" alt="C 10858 R" width="600" height="400" />
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U kinu Veli Lo&scaron;inj 06.03.2022
GLUMCI: Peter Dinklage, Haley Bennett, Kelvin Harrison Jr., Ben Mendelsohn
REŽIJA: Joe Wright
SCENARIJ: Erica Schmidt
PRODUCENTI: Tim Bevan, Eric Fellner, Guy Heeley
IZVR&Scaron;NI PRODUCENTI: Erica Schmidt, Sarah-Jane Robinson, Sheeraz Shah, Lucas Webb, Matt Berninger, Carin Besser, Aaron Dessner
MUZIKA: Bryce Dessner &amp; Aaron Dessner
ŽANR: mjuzikl/romantična drama
DISTRIBUCIJA: Editus d.o.o.

Cyrano

<h2>Prema knjizi nagrađivane dječje autorice -&nbsp;&Scaron;kola čarobnih životinja</h2>
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<img style="display: block; margin-left: auto; margin-right: auto;" src="https://vr-softdev.kreda.hr/kino-cms/assets/fd9389d1-0a4f-4b89-8856-0f64752851a0" alt="Slika1" width="900" height="506" />
&Scaron;kola čarobnih životinja &scaron;arena je vesela akcijska pustolovina prema istoimenoj knjizi nagrađivane dječje autorice Margit Auer o neobičnoj &scaron;koli u kojoj djeca dobivaju čarobnu životinju za prijatelja.&nbsp;
 
Priča prati novu djevojku u gradu - Idu (Emilia Maier). Ida se morala doseliti u novi grad i sada je učenica &scaron;kole Winterstein. Te&scaron;ko joj je u novom razredu i ne uspijeva sklopiti prijateljstva, pa joj na prvi dan &scaron;kole pripadne mjesto uz autsajdera Bennija (Leonard Conrads). Jednog dana njezina učiteljica upoznaje djecu s Mortimerom Morrisonom, koji putuje svijetom tražeći "čarobne životinje". Svaka od ovih životinja je predodređena da postane srodna du&scaron;a jednom od učenika. Od svih njih, prido&scaron;lica Ida i autsajder Benni prvi su u razredu koji dobiju čarobne prijatelje. Otad Benni uz sebe ima drevnu, mudru kornjaču Henriettu, a Ida ima lukavu lisicu Rabbat.&nbsp;
 
&nbsp;<img src="https://vr-softdev.kreda.hr/kino-cms/assets/7f57cf8a-950c-46f6-8adf-d9a9a5d642d2" alt="Slika2" width="500" height="321" /> <img src="https://vr-softdev.kreda.hr/kino-cms/assets/1a68e7f6-f147-4749-84d9-f4e0e497f6ba" alt="Slika3" width="500" height="321" />
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Nova učenica Ida ubrzo će postati zvijezda razreda, a kada u &scaron;koli počnu nestajati razni predmeti, djeca i čarobne životinje morat će se udružiti kako bi rije&scaron;ili misterij &scaron;kolskog lopova.
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Za Maier i Conradsa će ova &scaron;armantna pustolovina biti prva filmska uloga, a njihovi čarobni prijatelji su CGI animirani likovi. &Scaron;kolu čarobnih životinja režirao je Gregor Schnitzler, a scenarij su pisali Viola Schmidt i John Chambers na temelju serije istoimenih knjiga nagrađivane dječje autorice Margit Auer.
 
U kinu Veli Lo&scaron;inj 12.03. 17:00
GLUMCI: Emilia Maier, Leonard Conrads, Loris Sichrovsky, Nadja Uhl, Justus von Dohn&aacute;nyi, Milan Peschel i Marleen Lohse
REŽIJA: Gregor Schnitzler
SCENARIJ: Viola Schmidt i John Chambers
PRODUCENTI: Alexandra Kordes i Meike Kordes
IZVR&Scaron;NI PRODUCENTI: Josef Brandmaier, Herbert Kloiber i Fred Kogel
ŽANR: live-action avantura
DISTRIBUCIJA: Editus d.o.o.

Škola Čarobnih Životinja 12.03 u kinu Veli Lošinj

Škola čarobnih životinja

<h2 style="text-align: center;">Najveća pljačka u povijesti L.A.-a</h2>
<h2 style="text-align: center;">HITNA POMOĆ - novi film Michaela Baya</h2>
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&nbsp;<img src="https://vr-softdev.kreda.hr/kino-cms/assets/ba0aefa7-f4d8-4c11-939c-442bbb46c4ea" alt="Slika4" width="1465" height="614" />
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Na ulicama Los Angelesa u samo jednom danu tri života će se zauvijek promijeniti. Riječ je o najvećoj pljački banke u povijesti grada i mogućim plijenom od 32 milijuna dolara.&nbsp; Kako je do&scaron;lo do toga?
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Odlikovani veteran Will Sharp nema novca za plaćanje tro&scaron;kova liječenja svoje žene. Očajan, zatraži pomoć od osobe od koje to nikako nije smio - svog posvojenog brata Dannya (Jake Gyllenhaal), karizmatičnog kriminalca. Danny ponudi bratu sudjelovanje u velikoj pljački, a kako je život njegove žene na kocki, Will ga ne može odbiti. Stvar pođe po zlu kada braća otmu vozilo hitne pomoći u kojemu se nađu ozlijeđeni policajac u borbi za život kao i medicinski tehničar Cam Thompson. U bjesomučnoj potjeri bez kraja, braća moraju izbjeći policijske snage cijelog grada, održati svoje taoce na životu i pritom ne ubiti jedan drugoga. Ovo će biti najuzbudljiviji bijeg iz L.A.-a kojeg smo ikad vidjeli.
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U ulozi Will Sharpa je dobitnik Emmyja Yahya Abdul-Mateen II, kojeg smo upoznali u hit filmovima Candyman (2021.) i The Matrix Resurrections (2021.). Njegovog brata Dannya glumi slavni Jake Gyllenhaal, nominiran za Oscara za ulogu u filmu Brokeback Mountain (2005.).
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<img src="https://vr-softdev.kreda.hr/kino-cms/assets/d7a37054-175c-40b1-a9ff-28b837aa47eb" alt="Slika5" width="500" height="334" /><img src="https://vr-softdev.kreda.hr/kino-cms/assets/e3a6ded6-f1f7-472e-ab74-05d2ff283067" alt="Slika6" width="500" height="334" />
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Film Hitna pomoć (Ambulance) temelji se na danskom filmu Ambulancen iz 2005. godine, u duhu je akcijskih filmova devedesetih i na tragu filmova Brzina i Zločesti dečki. Prema najavama možemo očekivati da će ovo biti naj 'Michael Bay film' od svih njegovih dosada&scaron;njih filmova. Chris Fedak je napisao scenarij, a film je producirao Bay. Ostatak glumačke postave čine Garret Dillahunt, A Martinez, Keir O&rsquo;Donnell Moses Ingram i Eiza Gonzalez.
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Trailer : <a href="https://www.youtube.com/watch?v=CTIRY3LXpXI">https://www.youtube.com/watch?v=CTIRY3LXpXI</a>
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U KINU VELI LO&Scaron;INJ 17.04.
GLUMCI: Jake Gyllenhaal, Yahya Abdul-Mateen II, Eiza Gonz&aacute;lez
REŽIJA: Michael Bay
SCENARIJ: Chris Fedak
Scenarij se temelji se na originalnoj priči i scenariju za danski film Ambulancen Lauritsa Munch-Petersena i Larsa Andreasa Pedersena iz 2005.
PRODUCENTI: Michael Bay, Bradley J. Fischer, James Vanderbilt, William &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sherak, Ian Bryce
ŽANR: triler
DISTRIBUCIJA: Editus d.o.o.

Ambulance

<h2 style="text-align: center;">SJEVERNJAK &ndash; OSVETA VIKIN&Scaron;KOG PRINCA</h2>
&nbsp;<img src="https://vr-softdev.kreda.hr/kino-cms/assets/2bd189fd-f25e-4fb1-8e2f-3caf704aac19" alt="Slika7" width="1492" height="994" />
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Hvaljeni redatelj Robert Eggers, poznat po filmovima The Witch (2015.) i The Lighthouse (2019.), predstavlja novi film Sjevernjak (The Northman), osvetnički triler sa zavidnom glumačkom postavom koja uključuje Alexandera Skarsg&aring;rda, Nicole Kidman i Ethana Hawkea, uz zvijezde Eggersovih prethodnih filmova - Willema Dafoea iz The Lighthouse i Anyu Taylor-Joy iz The Witch. U ovom filmom se pojavljuje i islandska pjevačica Bj&ouml;rk, zajedno sa svojom kćeri &Iacute;sad&oacute;rom Bjarkard&oacute;ttir.
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Sjevernjak je priča koja prati vikin&scaron;kog princa kroz uzbudljiv i brutalan čiji je cilj osvetiti se za ubojstvo svog oca.&nbsp; Radnja se odvija na Islandu na prijelazu 9. i 10. stoljeća.
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Priča je prikazana kroz oči Amletha (Skarsg&aring;rd) koji jo&scaron; kao dječak svjedoči ubojstvu svog oca, kralja Aurvandila (Ethan Hawke), koje je počinio njegov stric, Fjolnira (Claes Bang). Nakon &scaron;to mu zarobe majku, kraljicu Gudrun (Nicole Kidman), Amleth bježi iz rodne zemlje. Poput slomljene Arye Stark iz Igre prijestolja, koja svake večeri naglas čita popis ljudi kojima će se osvetiti, Amleth se zaklinje da će se osvetiti za sve &scaron;to mu je u ranoj mladosti oduzeto.
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<img src="https://vr-softdev.kreda.hr/kino-cms/assets/03e9c070-c146-423f-80f7-c8ae1c85f9f0" alt="Slika9" width="500" height="250" /><img src="https://vr-softdev.kreda.hr/kino-cms/assets/af93197a-03e6-43ec-8162-e3e4163a8ead" alt="Slika8" width="500" height="333" />
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Scenarij je uz Eggersa pisao i islandski pjesnik Sj&oacute;n koji je u nekoliko navrata surađivao s Bj&ouml;rk kao tekstopisac njezinih pjesama, a zajedno s Lars von Trierom surađivao je na scenariju za film Dancer in the Dark (2000.). Srednjovjekovna skandinavska legenda na kojoj je priča bazirana poslužila je Shakespeareu kao inspiracija za slavnog Hamleta.
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Sam Eggers je izjavio kako je rad na filmu bila &bdquo;daleko najteži i najambiciozniji pothvat kojeg sam ikad primio."
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Na novom filmu Eggers ponovo surađuje s direktorom fotografije Jarinom Blaschkeom, pa jo&scaron; jedan zajednički projekt pretvaraju u vizualni spektakl. S takvim adutima, od vizualne estetike do zvjezdane glumačke postave, ovaj vikin&scaron;ki triler bit će filmsko iskustvo za pamćenje.
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TRAILER <a href="https://www.youtube.com/watch?v=BWNoECqz6Tw">https://www.youtube.com/watch?v=BWNoECqz6Tw</a>
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U KINU VELI LO&Scaron;INJ 24.04.2022
GLUMCI: Alexander Skarsg&aring;rd, Anya Taylor-Joy, Nicole Kidman, Ethan Hawke, Willem Dafoe, Claes Bang, Bj&ouml;rk
REŽIJA: Robert Eggers
SCENARIJ: Robert Eggers
PRODUCENTI: Lars Knudsen, Mark Huffam, New Regency
ŽANR: triler
DISTRIBUCIJA: Editus d.o.o.

SJEVERNJAK – OSVETA VIKINŠKOG PRINCA

<h2>Buy your ticket on time for this year Film festival APOX 2022</h2>
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Buy ticket for APOX 2022 / Kupi ulaznicu za APOX 2022

&ldquo;Ushiku&rdquo; takes viewers deep into the psychological and physical environment inhabited by foreign detainees in one of the largest immigration detention facilities in Japan. On the eve of Japan's recent--and highly contentious--immigration reform efforts, the filmmaker eludes press embargoes the government has imposed on its immigration facilities, bringing viewers into immediate contact with the detainees, many of whom are refugees seeking asylum. Detainees are held indefinitely and subject to physically violent deportation attempts by Japanese authorities against a background of the ensuing COVID-19 pandemic and with the spectacle of the Tokyo Olympics looming on the immediate horizon.
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Short talk with the author
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When you are born? 
<div>I was born in the United States, but I have lived in Japan for over 20 years.</div>
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What can you tell us about yourself? 
<div>I am a Christian, a filmmaker, and an activist.</div>
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<div>What triggered you to shoot this movie?</div>
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<div>I first went to the immigration detention center as a volunteer from my church.&nbsp; When I saw the conditions the detainees were kept in, as well as their mental and physical condition, I feared that one of them might die.&nbsp; I felt called to film evidence of what was happening, and that was the beginning of making this documentary.</div>
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<div>What is the best documentary movie you ever watched?</div>
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<div>The Thin Blue Line by Errol Morris</div>
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<div>What is your goal with this movie?</div>
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<div>My goal is two-fold.&nbsp; 1: To be a part of helping those who are currently suffering under Japan's unfair immigration laws. 2: To be a part of helping to change the immigration laws to prevent future asylum-seekers and refugee applicants to Japan from suffering.</div>
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<div>What was for you the main point to shooting a documentary, and not some fiction movies?</div>
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<div>There is nothing more powerful than hearing the truth directly from the witnesses themselves in their own words.</div>
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Get to know the Author

A momentary act of revenge transformed the lives of two young Indian women forever. After surviving an acid attack, while carrying scars of human brutality on their face, both Ritu and Faraha learn to redefine their lives through a sea of odd currents daily.
Strangely enough, Ritu&rsquo;s scars also brought her some fame, she occasionally finds herself talking on television, modelling at fashion events, or featuring in a Bollywood film&hellip; still, she often feels lonely. She wants to be loved and embraces an ambiguous relationship with a fellow female acid attack survivor. On the other hand, Faraha has come to terms with her post-attack singlehood and her new lease of life. As she begins to enjoy the freedom and independence, a desire to become a mother slowly brews within her.
By intertwining the shadows and lights, and hope and hopelessness in Ritu and Faraha&rsquo;s life, Ayena becomes a mirror where we can also see our own reflections.
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Author :
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When you are born? 11.05.1990
What can you tell us about yourself?
I am currently a scholarship student, enrolled in Docnomads masters&rsquo; course, specializing in documentary directing. I have previously studied in his academic course in DFFB (German Film and Television School, Berlin) pursuing cinematography. Before DFFB, I was studying at FAMU - National Film School of Czech Republic. I graduated from Government Law College, Mumbai before pursuing his film-making career. I'm socio-politically active and curious about reading the minds of people around me.
What triggered you to shoot this movie?
I had questions and ideas around identity. When in a sudden moment one&rsquo;s face is destroyed, disfigured, how does that person process that loss? So basically, I noticed some articles online, several social media posts, which were showing many acid attack survivors. But in all these photos and videos, they were smiling, ecstatic, they were laughing. For me, the two images didn't really match, because you know, in your head, when you think of acid attacks, you don't expect that they're always gonna be ecstatic. But this is what made me curious.
What is the best documentary movie you ever watched? 
Fire at Sea
What is your goal with this movie?
I believe that in its sublime emotionality, Ayena (Mirror) will engage audiences on a human level and guide them to rethink and reinvent the ways we identify with each other. I wish to engage viewers into the depths of these women, devoid of elevation to them as divine or degradation as disabled, bringing to light elements of their lives &mdash; their coming of age, redefining their relationships, and fleeting moments of carefreeness.
What was for you the main point to shooting a documentary, and not some fiction movies?
 I feel a need to express the poetry that exists within several people, places, or things that I connect with. The indefinable feelings that can be experienced through the combination of visuals and sounds have the power to convey messages and invoke an emotional journey for people who are behind the screen and in front of it. I believe that documentaries have the potential to self-reflect and analyze how our surroundings affect us. They extend the possibility to transcend us into different realities and situations that we are not primarily exposed to.
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Get to know the author - Siddhant Sarin

<img style="display: block; margin-left: auto; margin-right: auto;" src="https://vr-softdev.kreda.hr/kino-cms/assets/9fb2c2f6-f628-4a6b-a8f2-8fbcceabb587" alt="Rebels with a cause" width="564" height="800" />
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Girl next door Sanni (21), who engages in Extinction Rebellion (Elokapina) civil disobedience, has given up her job for the sake of all of us and to save the world from a climate catastrophe. Quick-witted Eltti (18) combines queer and environmental activism and uses it as fuel in their performances. Although Sanni and Eltti pursue the common good, the task of the activist is heavy, and neither the authorities nor all citizens seem to understand their good goals.
The themes of the film are civil disobedience, the activist's trauma and the role of the authorities as the protector of society in Finland that is said to be the world&rsquo;s safest country and country that has one of the most trusted police force and one of the best internal security in the world. What feelings does the activist have to go through in the action and who should the officials eventually protect and from whom?
The film is based on Sanni's interview and her and Eltti's follow-up. The film follows Sanni's participation in the Extinction Rebellion action launched by Eltti and XR Youth Finland on Nelson Mandela's day in the center of Helsinki, Finland. In addition, the film follows Eltti's participation in the&nbsp; Extinction Rebellion Autumn Rebellion on Mannerheimintie. The film also utilizes archival materials from the Summer Rebellion as well as Instagram posts. The summer and autumn rebellions were one of the biggest media events of the 2021 in Finland, in the country where the demonstration culture has traditionally been very restrained and authorities have been deeply respected.
The work paints a hopeful and sympathetic picture of awake contemporary youth who are ready to fight the climate crisis, even by resolutely breaking the law. The film also contributes to correcting the notion that Extinction rebellion is an anarchist organization.
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About the author :
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When you are born? 1976 What can you tell us about yourself? I was&nbsp;born&nbsp;suburb of Helsinki, Finland in&nbsp;1976&nbsp;and moved at early age to eastern&nbsp;Finland.&nbsp;I spent my youth in a small&nbsp;town, in countryside.&nbsp;As&nbsp;an adult I wanted to&nbsp;widen my horizon and get some new perspective in life so I moved to Helsinki. I&nbsp;got dream job at an advertising agency&nbsp;and worked there as an art director. After&nbsp;few years at the agency I started to study in the University of arts and design,&nbsp;in Helsinki. I studied&nbsp;media arts and moving images and graduated as a master&nbsp;of arts. I continued to work with mixed media works but my interest about film&nbsp;making and documentaries deepened at the same time and finally started my own&nbsp;company which evolved to serious film making. At the moment&nbsp;I&nbsp;work in Helsinki as a filmmaker&nbsp;and creative&nbsp;in&nbsp;my&nbsp;own&nbsp;production company&nbsp;called&nbsp;PinkAgency&nbsp;Productions. Mission of the&nbsp;PinkAgency is to create bold creative documentaries&nbsp;and artistic productions that enrich the viewers&rsquo; life and leaves a mark in&nbsp;society.&nbsp;My&nbsp;short&nbsp;films&nbsp;have been screened&nbsp;at&nbsp;festivals and events in Finland&nbsp;and abroad.&nbsp;I have also received recognition&nbsp;e.g. from Prix M&ouml;bius Nordica, Wro&nbsp;Media art biennale and from Mindtrek competitions with&nbsp;interactive animation &acute;TimeDreams[KH1]&nbsp;&acute;. Currently&nbsp;I&nbsp;focus&nbsp;on making feature&nbsp;documentary&nbsp;film&nbsp;about young outcast.&nbsp;My&nbsp;artistic interest is to document&nbsp;and comment on&nbsp;everyday life, current state of&nbsp;western welfare state&nbsp;and also to examine life&rsquo;s tragicomic nuances.&nbsp;I also enjoy experimental and media art approach in&nbsp;film making. What triggered you to shoot this movie? I heard about the summer&nbsp;rebellion of the Extincion Rebellion on tv news and social media channels when&nbsp;I was at my cottage outside of&nbsp;Helsinki. Summer rebellion had one of the&nbsp;biggest media coverage in Finland 2021 when demonstrators blocked the main&nbsp;street in Helsinki in&nbsp;front of the parliament house. I was wondering what was&nbsp;the group about. At the same time my friend and cinematographer Okko Oinonen&nbsp;called me and said that he was visiting the city center and saw some crazy&nbsp;stuff happening. People were sleeping on the streets, blocking&nbsp;traffic and engaging&nbsp;in civil disobedience. At the same time counterdemonstrators were using&nbsp;powerful means against the Extinction Rebellion.&nbsp;Also, police used harsh&nbsp;actions against protesters. This all got me interested and I started to&nbsp;investigate the group more thoroughly, what they&nbsp;want, how they operate etc. What is the best documentary movie you ever&nbsp;watched? Hard to say only one&nbsp;example but if you can call&nbsp;Exit Through the Gift Shop&nbsp;a documentary that could be it. It has so many levels.&nbsp;Also&nbsp;Searching for the Sugar Man is really good. Both of them have influenced&nbsp;me to become a film maker. What is your goal with this movie? We live in a world that strives for eternal growth.&nbsp;This has led both Earth and humankind to global crisis - climate change - that&nbsp;is proceeding&nbsp;inevitably. Extreme weather conditions have increased, wildfires&nbsp;are causing ecocatastrophes, species are becoming extinct, and glaciers are&nbsp;melting which causes rise of sea level all over the world.&nbsp;This has an impact also on&nbsp;worlds&nbsp;happiest and one of the safest country&nbsp;Finland.&nbsp;[KH2]&nbsp;Only&nbsp;politicians have the power to change the direction and that can only be caused&nbsp;by enough pressure from the voters, change of&nbsp;consumption habits, and&nbsp;activism.&nbsp; Extinction Rebellion&nbsp;(Elokapina),&nbsp;that operates without hierarchical power structures, has become one of the most&nbsp;visible environmental&nbsp;movements in Finland and in the whole world. It has&nbsp;become one of the most significant influencers outside politics. Extinction&nbsp;Rebellion&nbsp;operates in several countries&nbsp;and in Finland&nbsp;it is active&nbsp;at least&nbsp;in&nbsp;thirteen&nbsp;cities[KH3]&nbsp;. Extinction&nbsp;Rebellion works in new ways which has made&nbsp;old organizations&nbsp;like&nbsp;Greenpeace&nbsp;[KH4]&nbsp;look like&nbsp;dinosaurs stuck with their history and stiff structures. But how does Extinction Rebellion, that operates&nbsp;without central government, work from the perspective of both individual&nbsp;activist and&nbsp;organization? There was a need to understand, what was Extinction&nbsp;Rebellion about, who operates&nbsp;in the&nbsp;background and how it is led. From the global perspective, the most important&nbsp;goal&nbsp;of the film is&nbsp;of course to make&nbsp;climate&nbsp;emergency&nbsp;more visible. Another&nbsp;important theme&nbsp;is to&nbsp;make visible the work that activists are doing voluntarily and also to show how&nbsp;hard the work really is.&nbsp;Activist&acute;s&nbsp;trauma is a concept that&nbsp;appeared during filming&nbsp;and that is one main theme in the film. Official&nbsp;authorities, counterdemonstrators and &ldquo;ordinary citizens&rdquo; have their&nbsp;own&nbsp;part&nbsp;of causing the trauma.&nbsp;It is also important to study critically the powerful&nbsp;position of official authorities in such a country where the actions&nbsp;of the&nbsp;police are used to be highly trusted. Extinction Rebellion is a diverse group of people&nbsp;that includes young and old people, workers and unemployed. In the film, the&nbsp;focus is mostly&nbsp;on the youth of Extinction Rebellion (XR Youth Finland) - and instead&nbsp;of anarchistic group, one sees a sympathetic, caring group of people.&nbsp;The&nbsp;perspective of the youth that is passionate and analytical, is refresing and&nbsp;brings hope. The film is a genuine and timely depiction of&nbsp;today&rsquo;s society&nbsp;through the eyes of young people.&nbsp; What was for you the main point to shooting a&nbsp;documentary, and not some fiction movies? I think that the documentary&nbsp;films are one of the best and interesting ways to influence on people and give&nbsp;new perspectives to phenomena.&nbsp;Telling real life stories in creative ways can&nbsp;be more interesting and more surprising than fiction. Besides the basic story&nbsp;structure of fiction&nbsp;films, especially those in Hollywood, are quite familiar&nbsp;and many times even boring. For me the best documentaries are to some extent&nbsp;entertaining but the content is also important and impactful at the same time.

Miikka Poutiainen

U sklopu slavlja sv. Grgura ovim putem Mjesni odbor Veli Lo&scaron;inj i kino Veli Lo&scaron;inj organiziraju kazali&scaron;tnu predstavu.Predstava za najmlađe &ldquo;Ježeva kućica&rdquo; Ježurka Ježić svakodnevno luta &scaron;umom, te je vrlo po&scaron;tovana među &scaron;umskim životinjama. Jednoga dana, Ježurka je pozvana na maratonski ručak kod Lije Mice, na &scaron;to ona rado pristaje. Nakon četverosatnog prežderavanja, sve su životinje zaspale, a jedino se Ježurka vraća kući. Liju, medu, vuka i divlju svinju zanima &scaron;to li to Ježurka kod kuće, toliko važnog, skriva&hellip;
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