As a result of the war crisis, two Afghan painters left their country and paint the houses of others

Yasaman Baghban

Apox 2022

Cinema Veli Lošinj-Home

Ova neobično zabavna komedija prati V (Paris Berelc), natjecateljicu koja je impresivnim vje&scaron;tinama osvojila stipendiju za fakultet i mjesto u eSport timu u kojem dominiraju mu&scaron;karci. V nije ba&scaron; najbolje primljena od strane suigrača.&nbsp; Međutim, igra se nastavlja. Pridružila joj se najbolja prijateljica Sloane (Hari Nef), a pod vodstvom svoje trenerice (Ruby Rose), V i žestoki ženski tim zajedno napreduje do zajedničkog cilja: pobijediti frajere koji im nisu htjeli dali priliku!

U ovoj predstavi/komediji, vidi se generacijski jaz oca i sina. I dok otac predstavlja stariju generaciju i teži sigurnijim metodama, sin je tipičan primjer modernog dečka koji voli sve &scaron;to vole mladi.
Otac je isplanirao cijeli dan, no sin ima druge planove jer se sprema za spoj. Ponosni otac koristi sve svoje metode kako bi sina pripremio na najbolji mogući način. Kako će to proći i hoće li sve ići glatko, pogledajte u predstavi.
Ova predstava namijenjena je svima jer govori o životnim situacijama s kojima se susreće svaka obitelj i svatko može doživjeti predstavu iz svoje perspektive.
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Otac i Sin

&bdquo;Ja sam Zlatan&ldquo; filmska je priča o Zlatanu Ibrahimoviću odnosno o njegovom odrastanju u neuglednom predgrađu &scaron;vedskog grada. Kao sin imigranata s Balkana, nogomet je Zlatanu predstavljao oslobođenje od te&scaron;ke zajednice u kojoj je živio, a tijekom kojeg je pokazao svu veličinu svog nevjerojatnog talenta i samopouzdanja koji su ga kasnije, unatoč potpuno drugačijim predviđanjima, katapultirali u jednog od najvećih nogometnih igrača 21. stoljeća koji je zaigrao za klubove kao &scaron;to su Ajax, Juventus, Inter, Milan, Barcelona, Paris Saint-Germain te Manchester United
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Datum prikazivanja je informativnog karaktera i kao takav je podložan promjenama.

Ja sam Zlatan

Nakon &scaron;to je izgubio svoju najbolju prijateljicu, neustra&scaron;ivi tuljan Quinn okuplja nesta&scaron;nu ekipu koja će morskim psima uzvratiti udarac, angažirajući iskusnog ratnika Claggarta i njegov vojni um koji će mu pomoći u obuci njihovih prijatelja tuljana. Quinn i njegov tim ubrzo počinju koristiti sve lukave trikove i svježe ideje kako bi obranili svoj dio mora od svojih uvijek gladnih protivnika i konačno dokazali da tuljani nisu samo hrana za morske pse!

TULJANI SPECIJALCI - SINK

Ljubimce predvodi Supermanov voljeni pas Krypto. Njih su dvojica nerazdvojni prijatelji, koji dijele super-moći i zajedno se bore protiv kriminala u Metropolisu. Kada Supermana i ostatak Lige pravde otmu, Krypto mora uvjeriti ofucanu ekipu iz skloni&scaron;ta za životinje - psa Acea, svinju PB-ja, kornjaču Mertona i vjevericu Chipa - da ovladaju svojim novonastalim moćima i pomognu mu spasiti otete superjunake. Aceu se nikako ne sviđa ideja super-psa &ndash; no to će se brzo promijeniti kad upozna Batmana.

DC Liga Super - ljubimaca

Gorbačov. Raj&nbsp;je dokumentarni film o promjenama koje su odjeknule svijetom zahvaljujući jednom čovjeku. Film koji sažima život čovjeka koji je promijenio svijet u dvadesetom stoljeću. Gorbačovljeva kratka vladavina obilježena je padom carstva. Bio je arhitekt Glasnosti i Perestrojke, politika koje su građanima Sovjetskog saveza &ndash; koji je Ronald Reagan nazivao &bdquo;Zlim carstvom&ldquo; &ndash; dale priliku za slobodu. Sru&scaron;io je Berlinski zid. No istodobno je, pod njegovom vla&scaron;ću, eksplodirao nuklearni pogon u Černobilu, a njegovo se uni&scaron;tenje zata&scaron;kalo. Građani koji su tražili nezavisnost baltičkih država su umrli. Vojnici su lopatama okrutno ugu&scaron;ili prosvjede u Tbilisiju. A sovjetski su tenkovi prijetili te na kraju usmrtili mirne prosvjednike u Bakuu. Sovjetsko se carstvo pod njegovom vla&scaron;ću uru&scaron;ilo &ndash; a vlastiti ga je narod osudio. S ovim teretom pro&scaron;losti ovaj starac živi posljednje dane svog života u praznoj kući u predgrađu Moskve.
Mihailu Gorbačovu dizat će spomenike &scaron;irom svijeta. Vrlo uskoro, negdje &ndash; u Rusiji, primjerice &ndash; proći će puno godina dok ne spoznamo &scaron;to je ovaj čovjek učinio za povijest. No želio sam da iza hladnoće bronce ili mramora stoji vidljiv čovjek koji je sam odlučio pobolj&scaron;ati svijet. S tom smo se motivacijom prihvatili napornog posla uvjeravanja ovog iscrpljenog devedesetogodi&scaron;njaka da nas pusti u svoj svijet samoće, frustracije i radosti slobode!&nbsp;(Vitalij Manski)

Jasmila Žbanić

Gorbačov Raj

Dvanaestogodi&scaron;nji Yusuf i njegov najbolji prijatelj Memo &scaron;tićenici su turskog internata za kurdske dječake. U osami snijegom zametenih planina, učenici su prepu&scaron;teni dobroj volji hladne &scaron;kolske uprave. Kada se Memo razboli nakon kazne tu&scaron;iranja ledenom vodom, Yusuf uzaludno poku&scaron;ava privoljeti nezainteresirano osoblje da mu pomogne. No odrasli prekasno shvaćaju ozbiljnost situacije. &Scaron;kolu zatrpava snijeg, vrijeme teče, a među osobljem i učenicima započinje igra prebacivanja krivnje. Opisan kao spoj Olivera Twista i Smrti gospodina Lazarescua, film je na Berlinaleu osvojio nagradu FIPRESCI.

Čuvar brata Svog

Kad je Slovenija postavila željeznu ogradu na području uz lijepu rijeku Kupu, Hrvatska je na nesreću postala tampon zona za priljev izbjeglica koji dolaze iz Bosne i Hercegovine poku&scaron;avajući stići do Zapadne Europe. Ograda je izazvala smanjenje turističkih aktivnosti i stvorila sasvim novu dinamiku tog područja. Ono sada privlači nacionaliste s ekstremne desnice, aktiviste za ljudska prva, političare, policijske ophodnje i graničnu policiju, migrante i izbjeglice na putu prema Europi.

Žica / The Wire

Ljeto 2018., 15-godi&scaron;nja Greta Thunberg započinje svoj glasoviti &scaron;kolski &scaron;trajk za klimu. U samo nekoliko mjeseci njezina &lsquo;mala protestna akcija&rsquo; prerasta u globalni pokret. Greta, tiha djevojka iz autističnog spektra postaje svjetski poznata aktivistica. Pratimo je na putu da spasi svijet.
Stvarno mi se sviđa film koji je Nathan snimio i mislim da prikazuje mene i moju svakodnevicu u realističnom svjetlu. Nadam se da će svi koji pogledaju film napokon shvatiti da mladi ne sudjeluju u &scaron;kolskom &scaron;trajku radi zabave. Prosvjedujemo zato jer nemamo izbora. Mnogo se toga dogodilo otkako smo krenuli sa &scaron;trajkom, no nažalost jo&scaron; uvijek smo zaglavili na početku. Nigdje ne nalazimo prijeko potrebne promjene i stupanj svjesnosti o ugroženosti na&scaron;eg planeta. Sve &scaron;to tražimo je da na&scaron;e dru&scaron;tvo tretira klimatsku krizu kao stvarnu krizu i omogući nam sigurnu budućnost. Mislim da Nathanov film pokazuje koliko smo trenutačno udaljeni od tako nečega. Pokazuje da urgentnost poruke znanstvenika ne dopire do ljudi.

I Am Greta

A momentary act of revenge transformed the lives of two young Indian women forever. After surviving an acid attack, while carrying scars of human brutality on their face, both Ritu and Faraha learn to redefine their lives through a sea of odd currents daily.
Strangely enough, Ritu&rsquo;s scars also brought her some fame, she occasionally finds herself talking on television, modelling at fashion events, or featuring in a Bollywood film&hellip; still, she often feels lonely. She wants to be loved and embraces an ambiguous relationship with a fellow female acid attack survivor. On the other hand, Faraha has come to terms with her post-attack singlehood and her new lease of life. As she begins to enjoy the freedom and independence, a desire to become a mother slowly brews within her.
By intertwining the shadows and lights, and hope and hopelessness in Ritu and Faraha&rsquo;s life, Ayena becomes a mirror where we can also see our own reflections.

Siddhant Sarin, Debankon S. Solanky

Cinema Mali Lošinj - Mirror

Posljednji trenuci zafrkancije, nježnosti i apsurda prije rastanka jedne obitelji. Dok se roditelji bave zamjeranjima i prebacivanjem krivnje, njihov &scaron;estogodi&scaron;nji sin svoj svijet gradi kroz igru. Svatko ima svoju istinu, u čiju ćete povjerovati?
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<div>To je film o tome da nismo sposobni vidjeti istinu i kako je sve u &scaron;to vjerujemo da nam se dogodilo na&scaron; subjektivni doživljaj. Zanimalo me koliko mogu graditi priču isključivo kroz psihologiju likova, koliko se ta priča može nadopunjavati kroz njihovu različitost i koliko oni postaju neki potpuno drugačiji likovi kroz pogled drugog lika. Smjestila sam radnju pola sata prije raspada jedne male obitelji. Ta mi je tema bliska jer sam i sama pro&scaron;la kroz traumu razvoda i osjećaja krivnje &scaron;to donosim odluku ne samo za sebe nego i za svoju kćer. Na&scaron;e mačoističko dru&scaron;tvo podrazumijeva ostavljene žene i mu&scaron;karce koji vode dvostruki život, a u mom iskustvu i krugu u kojem živim brak napu&scaron;taju uglavnom žene, i to ne zato &scaron;to imaju nekog drugog, nego zato &scaron;to u većini situacija žele od života vi&scaron;e nego njihovi muževi. To je također ne&scaron;to čime sam se pozadinski bavila u filmu. Nisam se žanrovski određivala, na&scaron;e grčke prodajne agentice stavile su ga u kategoriju&nbsp;art-house&nbsp;filmova, ali možda kroz &scaron;alu možemo reći da je to jedan obiteljski film namijenjen svim vrstama obiteljskog odnosa, i funkcionalnog i nefunkcionalnog i potpuno rasutog. Trudila sam se u tu situaciju unijeti puno topline, zafrkancije, budala&scaron;tina i apsurda. Mene su oduvijek otkad se bavim filmom, a to je već 30 godina, fascinirali filmovi koje su režirali glumci. John Cassavetes sigurno je redatelj koji je jo&scaron; davno najvi&scaron;e utjecao na mene i na moj pogled na film. Ne samo zato &scaron;to su glumci u tim filmovima izuzetni i nepredvidljivi, nego i način na koji glumac kad režira vidi situaciju. Taj je pogled često intuitivan, subjektivan, često iz pozicije lika, a ne priče. Otkada sam prije deset godina počela razvijati&nbsp;Baci se na pod&nbsp;pa dok ga nisam zavr&scaron;ila, stalno bih se vraćala na tu izvornu točku. Danas, kad je gotov, sigurna sam da smo u tom intuitivnom i nepredvidljivom smislu stvorili jedan zanimljiv svijet u kojem je igra beskonačna.</div>
<div>Kratka biografija redateljice i scenaristice &nbsp; Nina Violić diplomirana je glumica, rođena u Rijeci 1972. Svoj glumački put započinje u alternativnom i istraživačkom kazali&scaron;tu, danas je prvakinja drame Hrvatskog nacionalnog kazali&scaron;ta u Zagrebu. Scenaristica je i redateljica dva kratkometražna igrana filma&nbsp;Odvajanje&nbsp;(2014) te&nbsp;Janje&nbsp;(2019) koji je nakon međunarodne premijere na BFI London Film Festivalu imao uspje&scaron;nu festivalsku distribuciju.&nbsp;Baci se na pod&nbsp;je Ninin debitantski dugometražni igrani film.</div>

Baci se na pod

Radnja filma istražuje priču o podrijetlu astronauta Buzza Svjetlosnog i njegov napredak kako bi postao kapetan Jedinice za za&scaron;titu svemira - Space Rangersa, posvećene borbi protiv zlog cara Zurga.

Svjetlosni

U filmu&nbsp;Brzina metka&nbsp;Brad Pitt glumi&nbsp;Bubamaru (Ladybug), nesretnog ubojicu koji je odlučio obavljati svoj posao na mirniji način nakon &scaron;to su neke misije po&scaron;le po zlu. Ipak, sudbina može imati drugačije planove jer Bubamaru nova misija dovodi u sukob sa smrtonosnim ubojicama iz cijelog svijeta &ndash; svi s povezanim, ali suprotstavljenim ciljevima u najbržem vlaku na svijetu&hellip; i stoga mora pronaći način kako pobjeći. Od redatelja filma Deadpool&nbsp;2, Davida Leitcha, kraj puta tek je početak divlje, nezaustavljive i uzbudljive vožnje kroz moderni Japan.

Bullet Train

Smje&scaron;ten u svijet bujne fantazije, film prati avanture Zecka Ko&scaron;a, mladog neobičnog superjunaka kojeg je posvojio kralj Peter, poznati pustolov. U želji da se uklopi i osjeća voljenim unatoč svojoj različitosti, Zecko Ko&scaron; je opsjednut avanturama bez obzira na svoju nespretnost. Kada najveći zločinac Kraljevstva - njegov vlastiti ujak - pobjegne iz zatvora i zaprijeti da će svrgnuti njegovog oca, Zecko Ko&scaron; kreće u epsku utrku kako bi ga zaustavio. Njegova potraga za Hrčkom tame postaje prava avantura kroz koju Zecko postupno uči otvoriti se drugima i pomiriti se sa svojom različito&scaron;ću, zahvaljujući prijateljima koje bismo svi voljeli imati - kornjači Abe i tvoru Meg.

ZECKO KOŠ I TAJNA MRKOG HRČKA

Iva je siroče koje živi na ulicama srednjovjekovnog grada. Ona ima svoje tri pripitomljene lasice i preživljava tako &scaron;to uzima hranu iz dvorca zlokobnog Tristaina. Jednog dana, zli namjesnik Tristain baca kletvu na princa Rolanda, čemu Iva srećom svjedoči. Iva i njezina ekipa tada kreću u nezaboravnu avanturu spa&scaron;avanja Rolanda, prijestolonasljednika koji je kletvom pretvoren u neobičnu životinju. U poku&scaron;aju spa&scaron;avanja princa Iva će preokrenuti cijelo kraljevstvo i naučiti da se plemenitost može pronaći na najneobičnijim mjestima.

ODVAŽNA IVA I SKRIVENO BLAGO MAGLOGRADA

U očajničkoj potrazi za novcem i papirima koji će mu omogućiti da se domogne Europe i spasi voljenu ženu od prisilnog braka, mladi Sirijac Sam Ali prihvaća ponudu glasovitog umjetnika koji njegova leđa želi pretvoriti u umjetničko djelo. Misleći da dobiva slobodu, Sam zavr&scaron;ava kao eksponat u europskim muzejima. Ova romantična melodrama o&scaron;tra je satira zapadnog dru&scaron;tva i umjetničkog svijeta, inspirirana kontroverznim radom belgijskog umjetnika Wima Delvoyea, i ujedno prvi tuniski film nominiran za Oscara. Za ulogu Sama Alija, Yahya Mahayni u Veneciji je nagrađen za najboljega glumca, a u jednoj od uloga nastupa i Monica Bellucci.

Čovjek koji je prodao svoju kožu

This year we are opening with Zvjezdan Levinger and bagpipe, after that we will have to Stand up Show with Antonio Bujacic, a movie made on film festival workshop, and the movie "I was not born for war"

Opening ceremony 2022

The man, who went through hell during the war, and did not lose his fortitude and faith in people. And now, in a rather unusual way, he helps people with disabilities bring back their thirst for life. Kostya Oborin, the film`s main character, prepares two disabled men, ATO veterans, for the parachute jump. They`ve still never skydived, but Kostya persuaded them for a jump as a method of rehabilitation and mind-broadening. The training is not easy, but it`s worth it.

Vladyslav Robski

I was not born for War

The film was shot in the last days before the full-scale Russian-Ukrainian war. Natalia has been living in peaceful Kharkiv for a long time, she considers it her home. Her mother wants to return to Luhansk, which is occupied by militants, because she was born there. So the daughter makes her way to her native city to check on her parents' house. But the area is already strange to her. And not strange at the same time

Tymofii Biniukov

Frontier

&ldquo;Prokop&rdquo;, Belgrade&rsquo;s central train station, is alive architectural organism which drags traces from many epochs in which existed, however it was never completed. The station itself was never a train station only, and it was always absorbing consequences of human act.

Danilo Stanimirović

Prokop

Zapping through the TV channels we met a bizarre and impossible interview with the COVID-19. This interview helps us to know why IT likes the Humans so much, that IT decided to do the "spillover". Mr. H. G. Wells helped us, finally, to express our hope for the future of our battle against the mr. COVID-19.

Vittorio Caratozzolo

Chemical Industries vs COVID-19

The evidence of the climatic changes pushes the Humans to ask Mother Nature "why?". Her answer is: &laquo;Not me, but you, rebellious Humans, transfigure me for egoistic&nbsp;purposes&raquo;. This Ode to the Climate might be the last invocation before the catastrophe, or an appeal to human intelligence. Performed and filmed during the first dramatic lockdown, in distance teaching and learning (April-june 2020).

Ode to climate

After the COVID-19 time, the weather gradually turned cool and the octogenarian couple led a quiet life. The couple realized that there were only three people left in their generation after stumbling upon a photo. So they decided to visit their relative who lived in another city.

Haotian Liu

Kiss the wind

Silent documentary about collectors and their collections. It was made as a part of a doctoral project that had 'The sound of a modern silent film' for a subject, at Academy of Arts, University of Novi Sad. Collectors are not the main characters, but the objects that are in their collections, from a sound perspective. Electrical and mechanical sounds that are produced while using the objects or maintaining and restoring, show the collector's passion from a different perspective, untypical for a documentary film, and together synthesize into a music.

Danilo Crnogorac

Cinema Mali Lošinj - Microrhythms

&ldquo;LET US TALK" is an innovative film project from Performance Picture Entertainment OG in cooperation with SaveOne Europe in Vienna. Director Tam&aacute;s Kiss together with Composer Christian Heschl, Poetry Slammer Adina Wilcke and a team of artists, dared to tackle a taboo subject and to give it impressive expression through those affected. A documentary film, initially for the German-speaking world, that examines the issues of Crisis Pregnancy and Abortion. With eight personal accounts of women and men. With the different outcomes, experiences, possible effects (for example, after an abortion) and how they dealt with them. What were the reactions from outside and how do those affected deal with bringing a child into the world who is not wanted by their environment? Four experts analyse the problem. The film is not to indoctrinate or be judgmental, it is an invitation to engage in this discourse, break the silence on taboo subjects of our society and draw your own conclusions.

Tamás Kiss

Cinema Mali Lošinj - Let us Talk

Lemon Island (Citromsziget) is a slum in the town of Nagykanizsa. The dilapidated building complex of the former barracks is now inhabited by the poorest people who broke into the building through the walled up doors and live in rooms without water, electricity or windows. The town&rsquo;s only homeless shelter operates in this building too. A unique world with a unique atmosphere and its own subculture. Although drugs and alcohol are the major force here and there is little chance for someone to walk the road back to mainstream society, this is not a deprived environment keeping depressed people alive but a functioning and convivial community with shared tasks, responsibilities with its occasional drama and moments of joy and also with the charismatic helpers whose presence is almost parental. The film is about a day in this place, it can be any weekday, from dawn to dusk but it is more than just a day: it condenses the past and present of the residents of Lemon Island. It offers a glimpse into the pulsating life of a closed micro-society, into the relationships of those forced to live together out of necessity and it reveals fragments of individual stories with old sins and broken dreams &ndash; occasionally reimagined. There are all kinds of people living in Lemon Island: orphans, divorcees, dispossessed people and criminals. Some have been defrauded, some have been fraudsters. Some have spent time in prison, others have lived on the streets. For some this is just a pit stop, others are here for good. What they have in common is that they have all suffered huge losses, they have no family, a kind of safety net that could have stopped them from slipping down. Often their only source of comfort is the bottle of wine they keep in the fence poles. They go to sleep in "lakhandis" (illegally occupied properties) and they call the shelter's staff aunty and uncle. Lemon Island is their home and the employees are their family.

Gabriella Bácskai

Cinema Mali Lošinj - Lemon island

Yehudah Glick will do anything he can to prove you wrong about politics, Judaism, miracles and world peace.

Oded Gobershtein

Cinema Mali Lošinj- Yehudah

Each of us heard a different version of Grandma Sonia&rsquo;s death. She died in 1922 in Libau, Latvia; in 1929 in Copenhagen; in 1934 in Hamburg. Step by step, I discovered what really happened in Nazi Germany, and why, when everyone left for Palestine, Grandma Sonia wasn&rsquo;t with them.

Itamar Wexler

Cinema Mali Lošinj- The Voyage

Marco Maffeis is a small publisher from Clusone (BG), married and father of three children. He is one of the many Italians to fall seriously ill with Covid19, at the most difficult time, when this disease is totally unknown and the intensive care in Bergamo and the province have no more beds available. A hospital in Palermo offers the possibility, the space and the treatment to some patients from the north of Italy whose diagnosis seems hopeless. Marco, in a state of total unconsciousness, in a desperate respiratory condition, is taken by military plane 896 kilometres away. He wakes up after almost a month in a coma on the island that saved his life.

Andrea Basile

Ottocentonovantasei Nuvole

Depiction of Clichy-sous-Bois in 2019 - the city where the french suburban riots burst in 2005 - "The end of kings" highlights the evolutions of the gender relations in the outlying parisian suburbs.

Rémi Brachet

The end of kings

After consulting with his relatives a 35-year-old father consents to the marriage of his 14-year-old daughter. As individuals with differing perspectives his family grapple with the decision.

Elahe Esmaili

The Doll (Arousak)

Hearts Road was photographed in 95 countries and produced over a period of 30 years. It represents one man's journey of evolution, his deep spiritual growth and ultimately his return to the seat of his soul. Transformative and prodigal, it also becomes a journey for every one of us. Take your innermost mind and, through his eyes, and his lens, discover a world that few have ever seen.

Colin Finlay

Hearts Road

Through the observation and interpretation of her own mental processes triggered by the earthquake, the author employs film as a therapeutic tool. The traumatic situation creates an emotional nightmare, and the reassembly of the agitated subconscious is examined through a sequence of associative self-portraits.

Tena Petrović

Cinema Veli Lošinj- Have you felt it

Personal transformation leaves invisible traces behind, if is not followed by others.

Everything about Florin Dobre

Abdullah Milhim is a photographer trying to announce by photographing what is going on in the war zone, Syria to the world. Once, he goes to photograph a just bombed region, he sees an aged man inside the ruins. He is influenced deeply by the situation of the aged man who is just standing and crying while people are escaping and wounded are carried in the chaos, and so he takes the man&rsquo;s photo. At the very moment, aircraft noise is heard and a bomb is dropped near them. After that day, Abdullah starts looking for his last photo, a new arm and his future.

Mehmet Akif Guler

The Last photo

Some say he has seen the face the Prophet and his first three Imams, others claim that he is a delusional old man, others that he is just sick &ndash; this recluse. And yet, Beranaza (known as Berry) roams the deserts of Lorestān despite the hearsay spread in those adjacent townships. He believes, and he pays no heed as to whether you believe his beliefs or not. This thirty minutes documentary is a portrait of faith; just as well, it could be a portrait of imposture, or delusion. The film offers a day in the life of Berry, as he collects the necessary resources to build his shrine for the Imams that visit his dreams weekly, as he feeds the stray dogs of the desert, abandoned by civilization just as he has been. Does the isolation, the ridicule, the gossip behind his back bear on Berry in any way? He is human, after all. And the camera, lingering on him throughout the day, peels back his stoicism to reveal a man hurt, a man alone, a man, who despite the ridicule, presses on in the name of faith.

Ali Asadi

Beranaza

Girl next door Sanni (21), who engages in Extinction Rebellion (Elokapina) civil disobedience, has given up her job for the sake of all of us and to save the world from a climate catastrophe. Quick-witted Eltti (18) combines queer and environmental activism and uses it as fuel in their performances. Although Sanni and Eltti pursue the common good, the task of the activist is heavy, and neither the authorities nor all citizens seem to understand their good goals.
The themes of the film are civil disobedience, the activist's trauma and the role of the authorities as the protector of society in Finland that is said to be the world&rsquo;s safest country and country that has one of the most trusted police force and one of the best internal security in the world. What feelings does the activist have to go through in the action and who should the officials eventually protect and from whom?
The film is based on Sanni's interview and her and Eltti's follow-up. The film follows Sanni's participation in the Extinction Rebellion action launched by Eltti and XR Youth Finland on Nelson Mandela's day in the center of Helsinki, Finland. In addition, the film follows Eltti's participation in the&nbsp; Extinction Rebellion Autumn Rebellion on Mannerheimintie. The film also utilizes archival materials from the Summer Rebellion as well as Instagram posts. The summer and autumn rebellions were one of the biggest media events of the 2021 in Finland, in the country where the demonstration culture has traditionally been very restrained and authorities have been deeply respected.
The work paints a hopeful and sympathetic picture of awake contemporary youth who are ready to fight the climate crisis, even by resolutely breaking the law. The film also contributes to correcting the notion that Extinction rebellion is an anarchist organization.

Miikka Poutiainen

Rebels with a cause

Logline:
Vilmos lives alone on the outskirts of Budapest with his animals, whom he considers family. A fatal diagnosis sets him on a journey to come to terms with his past, which weighs heavily on him.
Synopsis:
Vilmos was released from prison in 2005 after serving 20 years for manslaughter. He still can't recall what led to the murder, but everyday, he carries the weight of his crime. After his release, he initially lived homeless but over the years he managed to find housing on the outskirts of Budapest. Here, he lives with his animals, whom he considers family. His daily life is complicated by various physical maladies. The film follows Vilmos after he is diagnosed with gastric cancer. It is then that he decides to try to come to terms with the events of his past, with the help of a team of social workers.

László Halász

Cinema Mali Lošinj

"Faggot as a swear word: gay sow, the stupid faggot, faggy gait, faggy posture, the broken wrist. Loud gays, colorfully dressed, shrill, can they present the gays?.." asks Volker in the film. "The documentary was discussed very controversially in the program group...as a document of gay history, gay solidarity and gay self-confidence. At the same time, there was ... concern that a part of the queer community will feel hurt by certain parts of the film..." Hamburg International Queer Film Festival "...It made me cry, especially when it came to the topic of parents - rejection, distance, getting closer again, taking care of old parents, saying goodbye... the different aspects of being gay... A tribute to friendship and solidarity - even if it wasn't always there in the times of the HIV panic." Maria D&uuml;nnwald "I am moved enthusiastic dynamized.... political film at its best... finally the audience was not underestimated for once, without a lecturing gesture.... Afterwards you can breathe more freely." Claudia Reiche "... a lot of creativity, perseverance, good humor and cherry brandy.... I think the film transports this belief in the good and beautiful in the faggot, in the human being.... In addition, of course, it reflects a piece of contemporary history!" Matthias M&ouml;bius "...Very impressed! The animated drawings and the music make the whole thing a contemporary historical document in idiosyncratic narrative, which I find valuable! And important for our time today!" Barbara Nestler Voice from the Hamburg premiere audience: "I would also like to have a Bollenm&auml;delsgruppe - a group of people that accompanies you through life and where you stand by each other despite all your differences."

Mirek Balonis, Jutta Riedel

Cinema Mali Lošinj -

Synopsis: Ma&iuml;a, a young opera singer, is on stage for her first performance. As she starts singing the main aria from "Dido and Aeneas", she finds herself struck with an epiphany moment.

Cyril Nehmé

I Have Dreamed Carthage

A couple believes in pragmatic love and not in eternal love. She finds out that she has cancer and decides to separate from her husband, to prevent him from suffering at her side; She looks for the situation in Venezuela as an excuse to migrate to Chile. He refuses to leave. She hides her illness from him, lies telling him that she doesn't love him. After she is in Chile, he learns the truth; he calls her on the phone to tell her that she will go to her side.

Argenis Herrera Sánchez

Cinema Mali Lošinj - Memories in three colors

Cinema Mali Lošinj- Mirror

The effects of the Human impact in the World can't be resolved through conflicts and wars. We need to talk about it!

Cinema Veli Lošinj -Let's talk about it! (International Politics is NOT a child's play)

The generational tradition, the respect for the sea, the fear and the challenge of man&rsquo;s adventure, the survival to eat and trade. Nothing is created, nothing is destroyed, everything is transformed. The ports of small towns, just like the one in Fano, are different. They have changed, over the years. Deeply changed. Yet, their richness hasn&rsquo;t changed. They are rich in mankind, so varied and bursting, noisy and tireless. Multiethnic: north African people, Ceylonese people, Indians, Egyptians. It&rsquo;s wrong to claim that something, once change occurs, should be considered &ldquo;dead&rdquo;.
Traditions won&rsquo;t perish as long as we hear those raucous voices, that peculiar expression, the accent of those &ldquo;oldies&rdquo; we&rsquo;ve grown up with and who are still working with the same courageous old-time determination. And in spite of everything.

Andrea Lodovichetti

Cinema Veli Lošinj - PescAmare

A girl from Calabria tells her friend of her recent trip to far-away Gorizia, on the trail of a certain Carlo Michelstaedter, a poet and philosopher who died very young in 1910 and now acknowleged as a universal genius. She was immediately struck by his character, for his longing for a life without compromises. The girl tries to discover the reason for his tragic ending. At the end of the story the protagonist sees a boy on the beach that reminds her of something: the mystery is about to be revealed.

Paolo Magris

Cinema Veli Lošinj - With the sea in your eyes - docufiction

Water is the esence of all life. It drews the Earth and the history of mankind. But it can turn into danger and even poison The rivers of Bolivia, veins of the heart of South America, are turning black, red and even disappear

Julia Blagny

Cinema Veli Lošinj - Be Water - Andes to Amazonia

Guided by a sentence from my childhood, I encounter three people in Paris: A collector of lost objects, a princess in Disneyland and a coffee seller forever rooted in her shop to the point of madness. The first person narrative echoes the stories of the filmed, questioning the possibilities of the documentary encounter. In the process the assumed distinctions between director/character ; self/other; stranger/friend are challenged and questioned. A meditation on longing, dreaming and belonging.

Juliette Joffé

Cinema Veli Lošinj - Next year, we will leave

The Democratic Republic of Congo could feed almost 1 in 2 people on Earth.
Yet one in six Congolese people suffer from hunger. Yet one in two Congolese suffers from moderate acute malnutrition. Yet agriculture accounts for 70% of the population there.
Faced with this paradox, the peasants regroup in agricultural cooperatives. A handful of them share their daily lives with us, that of all those they represent.
Even if they don't know each other, live thousands of hundreds of kilometers from each other, participate in different agricultural sectors, their voices resonate in this powerful, sensitive and sincere documentary.

Antonio Spano

Cinema Veli Lošinj - Amuka

In Ann Arbor, Michigan, authorities close down a tent city for homeless people although it had been a success.

Anthony Collings

Cinema Mali Lošinj - TAKE NOTICE: A Camp for the Homeless

&ldquo;Ushiku&rdquo; takes viewers deep into the psychological and physical environment inhabited by foreign detainees in one of the largest immigration detention facilities in Japan. On the eve of Japan's recent--and highly contentious--immigration reform efforts, the filmmaker eludes press embargoes the government has imposed on its immigration facilities, bringing viewers into immediate contact with the detainees, many of whom are refugees seeking asylum. Detainees are held indefinitely and subject to physically violent deportation attempts by Japanese authorities against a background of the ensuing COVID-19 pandemic and with the spectacle of the Tokyo Olympics looming on the immediate horizon.

Thomas Ash

Cinema Mali Lošinj - Ushiku

During the lockdown, the life of teenagers all around the world became the same: no school, no friends, no freedom. The shrinking of the daily routine we all witnessed has probably been even more challenging for them, sentenced to live with their parents and forget personal boundaries at the most complicated age. Europa che Sogna follows the similar fate of the adolescents of the Oratory of Gratosoglio in Milan, the Des Ambrois highschool in Turin, and the Grbavica II elementary school in Sarajevo: the Italian ones forced into lockdown, the Bosnian ones in quarantine for having taken part in the Peace Campus in Milan in February 2020. This experience will undoubtedly change their lives forever, but they will learn that their voices are stronger than any kind of wall.

Ado Hasanović

Cinema Mali Lošinj - Europa che sogna

For the past twenty-five years, the Democratic Republic of Congo has been torn apart by a war that has been largely ignored by the media and the international community. The number of victims is in the hundreds of thousands, if not millions. The perpetrators of these crimes are countless &ndash; more than numerous rebel movements, there were armies from Congo and neighbouring countries. All seem to be caught up in a dizzying array of massacres, for the sake of power and money by monopolizing Congo&rsquo;s wealth with impunity and complete indifference.

Thierry Michel

Cinema Mali Lošinj - The Empire of Silence

On Central London&rsquo;s Highbury Corner, a group of protesters led by seasoned eco-activist Larch are protesting against the felling of seven trees, on land allocated for the construction of luxury flats. They have occupied the site for months and are preparing to resist any attempt to force them out. Barricades are erected and tunnels dug. According to Larch, this struggle is not only to save the trees, but to save the planet.

Teilo Vellacott

Cinema Mali Lošinj - On the ground

The setting up of a solo performance, the outbreak of revolt, the collective clamor of the marches. Art, organization and rage against the genocide of black people. An audiovisual manifesto recorded between 2008 and 2016, in the two cities with the greatest black presence in Brazil

Luis

Cinema Veli Lošinj -Genocide and Movements

Goran Božičević, (1962, Zadar) mirovni učitelj, suosnivač Volonterskog projekta Pakrac (1993) i Centra za mirovne studije (1997) gdje predaje na Mirovnim studijima teme Izgradnje mira. Pokretač MIRamiDA &ndash; Prvih treninga izgradnje mira u post-YU zemljama (od 1995). Radi u svim zemljama JI Europe i Ukrajini gdje mu je 2020 prevedena knjiga &bdquo;Gradnja dijaloga &ndash; Izabrani primjeri rada na pomirenju u Hrvatskoj&ldquo;&nbsp; UNDP 2016. Blizak tradicionalnim kr&scaron;ćanskim mirovnim crkvama Menonitima i Kvekerima. Za Quaker Peace &amp; Social Witness radio kao predstavnik na programu Suočavanja s pro&scaron;losti od 2002 do 2009. Među pionirima rada na uključivanju ratnih veterana/ branitelja u procese izgradnje mira. Pi&scaron;e kolumnu #miramidalije za portal&nbsp;<a href="https://politikenenasilja.org/H-alter.org">H-alter.org</a>&nbsp;od 2014. Na njemačkoj Akademiji za transformaciju sukoba od 2019 predaje teme Konstruktivne intervencije u sukob. Živi u Bujama.&nbsp;<a href="https://www.forumzfd-akademie.de/en/goran-bozicevic">https://www.forumzfd-akademie.de/en/goran-bozicevic</a>
&nbsp;
U sklopu rata u Ukrajini, te u sve većeg nesrazmjera bogatih i siroma&scaron;nih. Većih tenzija unutar samih granica EU, ova otvorena diskusija ima za cilj otvoriti neke nove vidike i ostvariti povezivanje kako bi shvatili srž problema na koje nailazimo u svijetu, ali i u na&scaron;oj okolini

Cinema Veli Lošinj -Open discussion about Peace with Goran Bozicevic

"If we told the truth" travels from Vienna to Copenhagen, Malta to Amsterdam and South Italy to Berlin with the goal to understand what can be done to react to a culpable torpor, a mass denial that touches us all.&nbsp; We meet businessmen who denounce, magistrates who investigate, teachers and educators who are personally committed, journalists who do not back down despite the threats, relatives of the victims of the &rsquo;NDRANGHETA who do not give up, associations and companies that join together and propose new ways of doing business. If we told the truth is a journey involving students, teachers, journalists, magistrates, businessmen, artists and educators who strive to envisage a new path to a world finally free from the virus of organized crime.

Emanuela Giordano, Giulia Minoli

Cinema Veli Lošinj - If we told the truth

From the days in which the mountain trembled, they remain anchored to the heavy debris that still obstruct the roads, without being able to fly away, towards some sort of future. Between the 24th of August 2016 and January 2017, their houses crumbled to dust, the people they knew disappeared or were displaced somewhere far: those who remained had to deal with the desolation, gathering on the collapsed walls of the villages, herding the animals on abandoned land, floating in a bubble of eternal present from which it is difficult to see a future besides an old run down bell tower.

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