The setting up of a solo performance, the outbreak of revolt, the collective clamor of the marches. Art, organization and rage against the genocide of black people. An audiovisual manifesto recorded between 2008 and 2016, in the two cities with the greatest black presence in Brazil

Luis

Apox 2022

Cinema Veli Lošinj -Genocide and Movements

Volodimir Balyk&nbsp;(<a class="new" title="Žydačіv (stranica ne postoji)" href="https://hr.wikipedia.org/w/index.php?title=%C5%BDyda%C4%8D%D1%96v&amp;action=edit&amp;redlink=1">Žydačіv</a>,&nbsp;<a title="Ukrajina" href="https://hr.wikipedia.org/wiki/Ukrajina">Ukrajina</a>,&nbsp;<a title="28. travnja" href="https://hr.wikipedia.org/wiki/28._travnja">28. travnja</a>&nbsp;<a title="1958." href="https://hr.wikipedia.org/wiki/1958.">1958.</a>),<a href="https://hr.wikipedia.org/wiki/Volodimir_Balyk#cite_note-1">[1]</a>&nbsp;poznati&nbsp;<a class="mw-redirect" title="Hrvatski" href="https://hr.wikipedia.org/wiki/Hrvatski">hrvatski</a>&nbsp;<a class="mw-redirect" title="Harmonika&scaron;" href="https://hr.wikipedia.org/wiki/Harmonika%C5%A1">harmonika&scaron;</a> ukrajinskog porijekla, pedagog, koncertni izvođač, skladatelj i glazbeni producent.
Maturirao klasičnu harmoniku na Glazbenom učili&scaron;tu C. Kru&scaron;eljnycka, Ternopilj, Ukrajina.
Studij klasične harmonike zavr&scaron;io je na Mykola Lysenko Lviv National Music Academy (Ukrajina) u klasi prof. dr. M. Oberjuhtina, a dirigiranja u klasi prof. dr. I. Wymera.
Doktorirao je&nbsp;<a title="1986." href="https://hr.wikipedia.org/wiki/1986.">1986.</a>&nbsp;godine na Glazbenoj akademiji Gnessin u&nbsp;<a title="Moskva" href="https://hr.wikipedia.org/wiki/Moskva">Moskvi</a>&nbsp;pod vodstvom prof. dr. V. Bjeljakova.
Dobitnik je niza značajnih međunarodnih nagrada (laureat je jednog od najuglednih Međunarodnih natjecanja harmonika&scaron;a "Vogtl&auml;ndischen Musiktage" Klingenthal-Markneukirchen u Njemačkoj 1981.).
Niz uspje&scaron;nih nastupa započinje solističkim koncertom&nbsp;<a title="Glazba u 1977." href="https://hr.wikipedia.org/wiki/Glazba_u_1977.">1977.</a>&nbsp;godine, nakon&nbsp;<a title="Glazba u 1981." href="https://hr.wikipedia.org/wiki/Glazba_u_1981.">1981.</a>&nbsp;je gost brojnih koncertnih pozornica Europe (Rusija, Njemačka, Francuska, Poljska, Rumunjska, Hrvatska), a ističe se solistički nastup u&nbsp;<a title="Pariz" href="https://hr.wikipedia.org/wiki/Pariz">Parizu</a>&nbsp;na koncertu Music for Peace od&nbsp;<a title="UNESCO" href="https://hr.wikipedia.org/wiki/UNESCO">UNESCO</a>-a zajedno s najistaknutijim umjetnicima svijeta.
Repertoar mu se temelji kako na originalnim skladbama za harmoniku tako i na transkripcijama, pri čemu često stavlja teži&scaron;te na razdoblje baroka.{{Volodimir Balyk: From baroque to rock (Transkripcije za harmoniku). Obrazovno-repertoarni priručnik (notno izdanje), [ukrajinski, engleski] Drogobych (Ukrajina), Posvit, 2021, str. 58. ISMN 979-0-707542-09-5.}}
Osamdesetih godina XX st. programski je usmjeren na teme kao &scaron;to su "Harmonika u suvremenoj komornoj glazbi", "Orguljska glazba u preradi za harmoniku" (Bach, H&auml;ndel), "Glazba Vl. Zolotarjova", a devedesetih se usredotočuje na izvođenju komorne i simfonijske glazbe (Koncertna simfonija br. 1 Vl. Zolotarjova, partita &bdquo;Sedam riječi&ldquo; S. Gubajduline [LP, Moskva, Rusija; &bdquo;Russkij disk&ldquo;, 1992., komorni orkestar, dir. M. &Scaron;čerbakov], 5 tango senzacija A. Piazzolla, &bdquo;Choral Fantasie&ldquo; J. Hatrika).
Godine&nbsp;<a title="Glazba u 1993." href="https://hr.wikipedia.org/wiki/Glazba_u_1993.">1993.</a>&nbsp;godine osnovao komorni sastav Nata Bene Trio, s kojim osvaja brojne nagrade kao sto su: Grand Prix u Francuskoj, 1. nagrada u Castelfidardu u&nbsp;<a title="Italija" href="https://hr.wikipedia.org/wiki/Italija">Italiji</a>&nbsp;itd., te nastupa na turnejama u Francuskoj, &Scaron;vicarskoj, Italiji, Njemačkoj, Austriji, Slovačkoj, Nizozemskoj.
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DUO BALYK Nata&scaron;a Balyk (mandolina) Volodimir Balyk (klasična harmonika)
A. Vivaldi (1678-1741) &ndash; Sinfonia iz opere Olimpiada &nbsp; I. Allegro II. Andante III. Allegro R. Giazotto (1910-1998), atrib. T. Albinoni &ndash; Adagio u g-molu C. Munier (1859-1911) &ndash; Capriccio Spagnuoli, op. 276 A. Schnitke (1934-1998) &ndash; Suita u starinskom stilu I. Menuet II. Fuga III. Pantomima V. Vlasov (1936) &ndash; Parafraza na ukrajinsku narodnu temu* A. Piazzolla (1921-1992) &ndash; Violentango K. Jenkins (1944) &ndash; Palladio V. Monti (1868-1922) &ndash; Čarda&scaron; J. Strau&szlig; (1825-1899) &ndash; Tritsch-Tratsch polka, op. 214 M. Teodorakis (1925-2021) &ndash; &laquo;Sirtaki&raquo; iz filma Grk Zorba
* - harmonika solo Transkripcije i obrade Volodimira Balyka
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DuoBalyk

<h2>Tko je Tin?</h2>
Tin je hrabar mu&scaron;karac koji ima sve pod kontrolom. Tako izgleda iznutra. Izvana izgleda kao jedan od izgubljenih dječaka iz Petra Pana. Jako voli domaću zabavnu glazbu i ako u njegovoj blizini pustite Dražena Zečića ili Mi&scaron;u Kovača, budite sigurni da će slijediti raspa&scaron;oj. Posudio je stas 7. patuljku u crtiću &bdquo;Snjeguljica i 7 patuljaka&ldquo;, boji se svega &scaron;to je vi&scaron;e od 168 cm, voli sve &scaron;to vole mali. Hobiji su mu nogomet i pokazivanje osobne na ulazu u noćne klubove i pri kupnji alkohola. Poznat je po tome &scaron;to neugodne situacije može učiniti jo&scaron; neugodnijima i uopće mu zbog toga nije neugodno. U svojim nastupim voli se &scaron;aliti na svoj račun, zanimljive su mu svakodnevne situacije u kojima se ljudi prepoznaju, a voli se pozabaviti i neizbježnim mu&scaron;ko-ženskim odnosima te sportom. Jako voli svoju dragu i voli ju uključivati u svoj stand up. Zajedno odlučuju o svemu. Barem ona tako kaže.
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"Treći dejt" treći je one man show Tina Sedlara. Na tom dejtu imat ćete priliku vidjeti njegov najbolji materijal iz razdoblja 2017.-2019. (uz novije izmjene), a prevladavat će teme poput spojeva, seksa, ljubavnih signala, romantike, neugodnih iznenađenja i sveg onog &scaron;to ulazi u predivnu kategoriju mu&scaron;ko-ženskih odnosa koju svi svaki dan proživljavamo.
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&Scaron;to je najgore &scaron;to ti se može dogoditi na spoju? Kako znati je li to ona prava osoba? Kako izgleda najgore seksualno iskustvo? Je li treći dejt pravo vrijeme za ne&scaron;to vi&scaron;e? Ima li jo&scaron; romantike danas? Za&scaron;to su mu&scaron;ko-ženski odnosi tako komplicirani?
<h5>Trajanje: 90 min</h5>

Tin Sedlar- Stand-up "Treći dejt"

Nagrađivana komedija Kerekesh Teatra u kojoj se na nogometnom terenu u NK Žbunju s krticama bori domar Stjepan Radički. Osim &scaron;to isproba sve moguće metode koje su ikad ikome pale na pamet kako bi otjerao krtice, na teren mu dolaze pomoći i odmoći razni prijatelji i neprijatelji, među kojima su i Žarko Potočnjak, biv&scaron;i ministar Linić, Sini&scaron;a Popović, Massimo, Policajac z Mača i mnogi drugi. Vi&scaron;e od 15 likova u predstavi, na maksimalno duhoviti način, tumači mladi i nagrađivani glumac Jan Kereke&scaron; koji je za &ldquo;Krtice&rdquo; bio i nominiran za Nagradu hrvatskog glumi&scaron;ta 2015., a režiju potpisuje Ljubomir Kereke&scaron;.

Dani smijeha Veli Lošinj - Krtice

Nemojte se sramiti. Svi imamo probleme. I svi znamo da je najbolje o problemima razgovarati sa psihologom. Na&scaron;a Svjetlana Fufić zvana BEBA dolazi psihologu po prvi put. Od silnog uzbuđenja, mu&scaron;ica u glavi i gomile problema jednostavno započinje razgovor sa gospodinom u bijeloj odori. Taj gospodin je&nbsp;maler i jedino &scaron;to zna o psihologiji je da mora pomalati ured i hodnik psiholo&scaron;ke ordinacije. Biv&scaron;i muževi Svjetlane Fufić izvukli su deblji kraj. Hoće li i ovaj slučajni psiholog s valjkom u ruci,&nbsp;saznajte&nbsp;u novoj komediji Kerekesh Teatra jer u čekaonicu dolazi &ldquo;Beba&rdquo;

Dani smijeha Veli Lošinj- Beba

&ldquo;DIMNJAČAR&rdquo; najizvođenija je hrvatska predstava s vi&scaron;e od 1320 izvedbi u kojoj su dimnjačarske priče i dogodov&scaron;tine ispričane jednostavnim jezikom malog čovjeka koji vrlo lako uspostavlja komunikaciju s publikom. Ljubomir Kereke&scaron;, neprestance mami iz gledateljstva salve smijeha, ne dopu&scaron;tajući nikome da se odmori niti na trenutak. Specifičan i simpatičan humor omogućuje dimnjačaru da uvuče publiku u interakciju i da se eksplicitno dotakne nekih nacionalnih frustracija i osoba.

Dani smijeha Veli Lošinj - Dimnjačar

DC i Warner Bros. predstavljaju novog antiheroja čiju će glavnu ulogu preuzeti legendarni The Rock. Black Adam je Johnsonov veliki projekt koji svaki glumac doživi jednom u životu. Gotovo 5.000 godina nakon &scaron;to je dobio sve moći egipatskih bogova te isto tako bio zatvoren, Black Adam oslobođen je iz svoje zemaljske grobnice, spreman osloboditi svoj jedinstveni oblik pravde u modernom svijetu.

Black Adam

Priča ove komedije počinje jedne proljetne večeri kada Črevo polako tone u san, a traje do podneva sljedećeg dana kada se uzavrele strasti dru&scaron;tvene zajednice smiruju do bola&hellip;
Skup&scaron;tina selskog odbora sela Črevo održava se jednom godi&scaron;nje, pod vodstvog predsjednika Drageca. Dragec je umi&scaron;ljena krivotvorina političke veličine, preslikavajući i kopirajući lidere vlasti unutar vlastitih skromnih mogućnosti. On je u svakom slučaju i originalna kopija svega i svačega &scaron;to nam na pladnju. Najče&scaron;će laži, nude i obećavaju aktualne vlasti, biv&scaron;e i sada&scaron;nje, a nerijetko i buduće. Pristojan i uzvi&scaron;eni vokabular dana&scaron;nje vlasti ne govori o kanalizaciji ili odvodnim jarkima kao Dragec, ali sigurano da u svojoj vjerodostojnosti podjednako smrdi. Tajnica i blagajnica Črevo, Đurđa, kasni na skup&scaron;tinu zbog nabrekle prasice, a saborski zastupnici na sjednice sabora ne kasne, već ne dolaze. Oni ne hrane svinje, već narod svojom posebno&scaron;ću i uzvi&scaron;eno&scaron;ću.
Često spomenuta kultura, koju nam u svojoj primitivnoj i pomaknutoj, doslovno veličini, donosi Ivek zvani Tarzan, samo je po&scaron;tapalica u formiranju činjenice buduće suradnje na međunarodnom planu pri susretu predsjedavajućih. Kada Trpimir Or&scaron;u&scaron; na skup&scaron;tini progovori: &ldquo;Nije da i među nama nema cigana&hellip;&rdquo; je istina koja najmanje zaboli same cigane, a u svijesti vladajućih izaziva zgražanje i čuđenje zbog, u narodu ustaljenog tumačenja, riječi &ldquo;cigan&rdquo;. Zastupljenost u medijskom prostoru poljoprivrednika, iliti seljaka, znamo kakva je i koliko je važna ministarskim patuljcima koji napredak hrvatskog seljaka vide isključivo putem uvoza &ldquo;stranog&rdquo; seljaka. Profesionalno osakaćena tv ekipa NNHTV televizije, &nbsp;svojom nazovi profesionalno&scaron;ću, samo doprinosi nevažnosti seljaka.
Selo Črevo je malo i marginalno, na granici županije. Črevari, manje-vi&scaron;e svi, mentalno pomaknuti žive svoje živote. Bez interesa, cilja i svjetla na kraju tunela. Ravnodu&scaron;nost i socijalna neosvije&scaron;tenost velikom su asocijacijom same dana&scaron;njice hrvatskog dru&scaron;tva. Koliko smo sposobni, odnosno nesposobni, koliko smo voljni, a ne &scaron;krti, koliko bi vladali, a ne bismo bili krivi, ovisi isključivo o imperativu realizacije osobnog interesa.
Marginalci nemaju svijest o političkoj bukvalnosti koja proživljava svoj pubertet jo&scaron; od samostalnosti&nbsp;Lijepe na&scaron;e,&nbsp;već preživljavaju svoje živote uskogrudno, jadno, marginalno. Godine samostalnosti pretaču se iz &scaron;upljeg u prazno (HDZ &ndash; SDP &ndash; HDZ &ndash; SDP&hellip;), tako da polako postaje monotono slu&scaron;ati basne o prodaji, koncesiji, krađi, utaji, stečaju i sl. Negdje, između redaka, o takvim redateljima vlasti progovara ova skup&scaron;tina, a Črevari kao narod, po inerciji življenja života, funkcioniraju samozatajno i podložno, bez bunta i stava.
Marginalci na&scaron;eg dru&scaron;tva, u nekim poku&scaron;ajima vladavine, nisu od jučer. Oni su na&scaron;a već tradicionalna postojanost, a &scaron;to je najžalosnije, s vjerom da su svi svemogući. Govoriti o toj karikaturi dru&scaron;tva nepotrebno je s dozom obzirnosti zato Marginalci imaju najozbiljniju namjeru vlastiti dru&scaron;tveni marginalni cirkus predočiti gledatelju u cirkus vlasti. Pomisao da su Marginalci na&scaron;a osovinska vlast, za nekog može biti i uvredljivo, ali uz nužnu opasku, ovo su isto ljudi od krvi i mesa te kao takvi sa svojim mesom čine hranu vladajućima. Sve ostaje unutar zadanih normi. Privatizacija u dono&scaron;enju odluka, bez no&scaron;enja težine istih, isto je kao i pljunuti u vjetar. Mi smo i onako samo svoji na svome i tko nas pita. Male, obične i svakodnevne. Ovo ogledalo primitivizma treba promatrati kao igru, u kojoj su Marginalci mi&scaron;evi, a ne mačke. Bili i ostat će.
 Znate gdje je selo Črevo? Ni desno, ni levo. Samo Črevo. Tamo je Bog rekao laku noć i upravo tamo dolazi NNHTV (&ldquo;Na&scaron;a najnovija hrvatska televizija&rdquo;) snimiti prilog o hrvatskom seljaku u Europi. Precednik, animator kulture, blagajnica i predstavnik nacionalne manjine spremaju se za najvažniji dan u godini &ndash; skup&scaron;tinu sela Črevo. Nakon smrdljivih razgovora o odvodnim jarcima i uvijek aktualne akcije &ldquo;Zbogom oružje&rdquo;, na red dolazi priredba za Črevare uz lo&scaron;u recitaciju, dobru narodnu glazbu, puno gemi&scaron;ti i kobasica sa senfom.&nbsp;
WC je blizu i svi su dobro do&scaron;li. Živjeli!
#marginalci
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Marginalci

AVATAR 2, progla&scaron;en je "najkompliciranijim filmom ikad snimljenim".
Ovu mu je titulu dodijelio američki redatelj Liam O'Donnell, koji je radio na vizualnim efektima u filmovima poput Alien vs. Predator i Iron Man 2. Na Digital Day sajmu redatelj Avatara James Cameron je održao govor, a objavio je i nove snimke koje su odu&scaron;evile O'Donnella.
"Avatar: The Way of Water je suludo kompliciran film, najkompliciraniji koji je ikad snimljen", napisao je O'Donnell na Twitteru.

Avatar 2 (Avatar: The Way of Water)

Dobitnik nagrade Oscar&reg; Christian Bale, dvostruko nominirana za nagradu Oscar&reg; Margot Robbie, John David Washington i mnogi drugi glume u filmu hvaljenog scenarista i redatelja Davida O. Russella. Fascinantna i bogato zamr&scaron;ena priča koja s fikcijom briljantno isprepliće povijesne činjenice jedne od naj&scaron;okantnijih tajnih zavjera u povijesti SAD-a.

Amsterdam

Od oružja prisutni su tek lovačka puška i plastični pištolj. Sitnim vezom slatko-gorkih zapleta dominiraju drama prve svinjske ljubavi u trenutku zračne uzbune te kvar frizerske haube na pola frizure. Svadba, prošćenje, prpošni napjevi, dezerteri, Majka Božja, sir, vrhnje i happy end su uključeni!

Nosila je rubac Črleni

The film was shot in the last days before the full-scale Russian-Ukrainian war. Natalia has been living in peaceful Kharkiv for a long time, she considers it her home. Her mother wants to return to Luhansk, which is occupied by militants, because she was born there. So the daughter makes her way to her native city to check on her parents' house. But the area is already strange to her. And not strange at the same time

Tymofii Biniukov

Cinema Veli Lošinj -Frontier

&ldquo;Prokop&rdquo;, Belgrade&rsquo;s central train station, is alive architectural organism which drags traces from many epochs in which existed, however it was never completed. The station itself was never a train station only, and it was always absorbing consequences of human act.

Danilo Stanimirović

Cinema Veli Lošinj -Prokop

Zapping through the TV channels we met a bizarre and impossible interview with the COVID-19. This interview helps us to know why IT likes the Humans so much, that IT decided to do the "spillover". Mr. H. G. Wells helped us, finally, to express our hope for the future of our battle against the mr. COVID-19.

Vittorio Caratozzolo

Cinema Veli Lošinj-Chemical Industries vs COVID-19

The evidence of the climatic changes pushes the Humans to ask Mother Nature "why?". Her answer is: &laquo;Not me, but you, rebellious Humans, transfigure me for egoistic&nbsp;purposes&raquo;. This Ode to the Climate might be the last invocation before the catastrophe, or an appeal to human intelligence. Performed and filmed during the first dramatic lockdown, in distance teaching and learning (April-june 2020).

Cinema Veli Lošinj -Ode to climate

After the COVID-19 time, the weather gradually turned cool and the octogenarian couple led a quiet life. The couple realized that there were only three people left in their generation after stumbling upon a photo. So they decided to visit their relative who lived in another city.

Haotian Liu

Cinema Veli Lošinj - Kiss the wind

Silent documentary about collectors and their collections. It was made as a part of a doctoral project that had 'The sound of a modern silent film' for a subject, at Academy of Arts, University of Novi Sad. Collectors are not the main characters, but the objects that are in their collections, from a sound perspective. Electrical and mechanical sounds that are produced while using the objects or maintaining and restoring, show the collector's passion from a different perspective, untypical for a documentary film, and together synthesize into a music.

Danilo Crnogorac

Muzej Apoksiomena- Microrhythms

&ldquo;LET US TALK" is an innovative film project from Performance Picture Entertainment OG in cooperation with SaveOne Europe in Vienna. Director Tam&aacute;s Kiss together with Composer Christian Heschl, Poetry Slammer Adina Wilcke and a team of artists, dared to tackle a taboo subject and to give it impressive expression through those affected. A documentary film, initially for the German-speaking world, that examines the issues of Crisis Pregnancy and Abortion. With eight personal accounts of women and men. With the different outcomes, experiences, possible effects (for example, after an abortion) and how they dealt with them. What were the reactions from outside and how do those affected deal with bringing a child into the world who is not wanted by their environment? Four experts analyse the problem. The film is not to indoctrinate or be judgmental, it is an invitation to engage in this discourse, break the silence on taboo subjects of our society and draw your own conclusions.

Tamás Kiss

Muzej Apoksiomena - Let us Talk

Lemon Island (Citromsziget) is a slum in the town of Nagykanizsa. The dilapidated building complex of the former barracks is now inhabited by the poorest people who broke into the building through the walled up doors and live in rooms without water, electricity or windows. The town&rsquo;s only homeless shelter operates in this building too. A unique world with a unique atmosphere and its own subculture. Although drugs and alcohol are the major force here and there is little chance for someone to walk the road back to mainstream society, this is not a deprived environment keeping depressed people alive but a functioning and convivial community with shared tasks, responsibilities with its occasional drama and moments of joy and also with the charismatic helpers whose presence is almost parental. The film is about a day in this place, it can be any weekday, from dawn to dusk but it is more than just a day: it condenses the past and present of the residents of Lemon Island. It offers a glimpse into the pulsating life of a closed micro-society, into the relationships of those forced to live together out of necessity and it reveals fragments of individual stories with old sins and broken dreams &ndash; occasionally reimagined. There are all kinds of people living in Lemon Island: orphans, divorcees, dispossessed people and criminals. Some have been defrauded, some have been fraudsters. Some have spent time in prison, others have lived on the streets. For some this is just a pit stop, others are here for good. What they have in common is that they have all suffered huge losses, they have no family, a kind of safety net that could have stopped them from slipping down. Often their only source of comfort is the bottle of wine they keep in the fence poles. They go to sleep in "lakhandis" (illegally occupied properties) and they call the shelter's staff aunty and uncle. Lemon Island is their home and the employees are their family.

Gabriella Bácskai

Muzej Apoksiomena - Lemon island

Yehudah Glick will do anything he can to prove you wrong about politics, Judaism, miracles and world peace.

Oded Gobershtein

Muzej Apoksiomena- Yehudah

Each of us heard a different version of Grandma Sonia&rsquo;s death. She died in 1922 in Libau, Latvia; in 1929 in Copenhagen; in 1934 in Hamburg. Step by step, I discovered what really happened in Nazi Germany, and why, when everyone left for Palestine, Grandma Sonia wasn&rsquo;t with them.

Itamar Wexler

Muzej Apoksiomena- The Voyage

Marco Maffeis is a small publisher from Clusone (BG), married and father of three children. He is one of the many Italians to fall seriously ill with Covid19, at the most difficult time, when this disease is totally unknown and the intensive care in Bergamo and the province have no more beds available. A hospital in Palermo offers the possibility, the space and the treatment to some patients from the north of Italy whose diagnosis seems hopeless. Marco, in a state of total unconsciousness, in a desperate respiratory condition, is taken by military plane 896 kilometres away. He wakes up after almost a month in a coma on the island that saved his life.

Andrea Basile

Cinema Veli Lošinj -Ottocentonovantasei Nuvole

Depiction of Clichy-sous-Bois in 2019 - the city where the french suburban riots burst in 2005 - "The end of kings" highlights the evolutions of the gender relations in the outlying parisian suburbs.

Rémi Brachet

Cinema Veli Lošinj-The end of kings

After consulting with his relatives a 35-year-old father consents to the marriage of his 14-year-old daughter. As individuals with differing perspectives his family grapple with the decision.

Elahe Esmaili

Cinema Veli Lošinj - The Doll (Arousak)

As a result of the war crisis, two Afghan painters left their country and paint the houses of others

Yasaman Baghban

Cinema Veli Lošinj-Home

Through the observation and interpretation of her own mental processes triggered by the earthquake, the author employs film as a therapeutic tool. The traumatic situation creates an emotional nightmare, and the reassembly of the agitated subconscious is examined through a sequence of associative self-portraits.

Tena Petrović

Cinema Veli Lošinj- Have you felt it

Personal transformation leaves invisible traces behind, if is not followed by others.

Cinema Veli Lošinj-Everything about Florian Dobre

Abdullah Milhim is a photographer trying to announce by photographing what is going on in the war zone, Syria to the world. Once, he goes to photograph a just bombed region, he sees an aged man inside the ruins. He is influenced deeply by the situation of the aged man who is just standing and crying while people are escaping and wounded are carried in the chaos, and so he takes the man&rsquo;s photo. At the very moment, aircraft noise is heard and a bomb is dropped near them. After that day, Abdullah starts looking for his last photo, a new arm and his future.

Mehmet Akif Guler

Cinema Veli Lošinj-The Last photo

Some say he has seen the face the Prophet and his first three Imams, others claim that he is a delusional old man, others that he is just sick &ndash; this recluse. And yet, Beranaza (known as Berry) roams the deserts of Lorestān despite the hearsay spread in those adjacent townships. He believes, and he pays no heed as to whether you believe his beliefs or not. This thirty minutes documentary is a portrait of faith; just as well, it could be a portrait of imposture, or delusion. The film offers a day in the life of Berry, as he collects the necessary resources to build his shrine for the Imams that visit his dreams weekly, as he feeds the stray dogs of the desert, abandoned by civilization just as he has been. Does the isolation, the ridicule, the gossip behind his back bear on Berry in any way? He is human, after all. And the camera, lingering on him throughout the day, peels back his stoicism to reveal a man hurt, a man alone, a man, who despite the ridicule, presses on in the name of faith.

Ali Asadi

Cinema Veli Lošinj -Beranaza

Girl next door Sanni (21), who engages in Extinction Rebellion (Elokapina) civil disobedience, has given up her job for the sake of all of us and to save the world from a climate catastrophe. Quick-witted Eltti (18) combines queer and environmental activism and uses it as fuel in their performances. Although Sanni and Eltti pursue the common good, the task of the activist is heavy, and neither the authorities nor all citizens seem to understand their good goals.
The themes of the film are civil disobedience, the activist's trauma and the role of the authorities as the protector of society in Finland that is said to be the world&rsquo;s safest country and country that has one of the most trusted police force and one of the best internal security in the world. What feelings does the activist have to go through in the action and who should the officials eventually protect and from whom?
The film is based on Sanni's interview and her and Eltti's follow-up. The film follows Sanni's participation in the Extinction Rebellion action launched by Eltti and XR Youth Finland on Nelson Mandela's day in the center of Helsinki, Finland. In addition, the film follows Eltti's participation in the&nbsp; Extinction Rebellion Autumn Rebellion on Mannerheimintie. The film also utilizes archival materials from the Summer Rebellion as well as Instagram posts. The summer and autumn rebellions were one of the biggest media events of the 2021 in Finland, in the country where the demonstration culture has traditionally been very restrained and authorities have been deeply respected.
The work paints a hopeful and sympathetic picture of awake contemporary youth who are ready to fight the climate crisis, even by resolutely breaking the law. The film also contributes to correcting the notion that Extinction rebellion is an anarchist organization.

Miikka Poutiainen

Cinema Veli Lošinj-Rebels with a cause

Logline:
Vilmos lives alone on the outskirts of Budapest with his animals, whom he considers family. A fatal diagnosis sets him on a journey to come to terms with his past, which weighs heavily on him.
Synopsis:
Vilmos was released from prison in 2005 after serving 20 years for manslaughter. He still can't recall what led to the murder, but everyday, he carries the weight of his crime. After his release, he initially lived homeless but over the years he managed to find housing on the outskirts of Budapest. Here, he lives with his animals, whom he considers family. His daily life is complicated by various physical maladies. The film follows Vilmos after he is diagnosed with gastric cancer. It is then that he decides to try to come to terms with the events of his past, with the help of a team of social workers.

László Halász

Muzej Apoksiomena - This cannot be atoned for

"Faggot as a swear word: gay sow, the stupid faggot, faggy gait, faggy posture, the broken wrist. Loud gays, colorfully dressed, shrill, can they present the gays?.." asks Volker in the film. "The documentary was discussed very controversially in the program group...as a document of gay history, gay solidarity and gay self-confidence. At the same time, there was ... concern that a part of the queer community will feel hurt by certain parts of the film..." Hamburg International Queer Film Festival "...It made me cry, especially when it came to the topic of parents - rejection, distance, getting closer again, taking care of old parents, saying goodbye... the different aspects of being gay... A tribute to friendship and solidarity - even if it wasn't always there in the times of the HIV panic." Maria D&uuml;nnwald "I am moved enthusiastic dynamized.... political film at its best... finally the audience was not underestimated for once, without a lecturing gesture.... Afterwards you can breathe more freely." Claudia Reiche "... a lot of creativity, perseverance, good humor and cherry brandy.... I think the film transports this belief in the good and beautiful in the faggot, in the human being.... In addition, of course, it reflects a piece of contemporary history!" Matthias M&ouml;bius "...Very impressed! The animated drawings and the music make the whole thing a contemporary historical document in idiosyncratic narrative, which I find valuable! And important for our time today!" Barbara Nestler Voice from the Hamburg premiere audience: "I would also like to have a Bollenm&auml;delsgruppe - a group of people that accompanies you through life and where you stand by each other despite all your differences."

Mirek Balonis, Jutta Riedel

Muzej Apoksiomena - No fags

Synopsis: Ma&iuml;a, a young opera singer, is on stage for her first performance. As she starts singing the main aria from "Dido and Aeneas", she finds herself struck with an epiphany moment.

Cyril Nehmé

Muzej Apoksiomen - I Have Dreamed Carthage

A couple believes in pragmatic love and not in eternal love. She finds out that she has cancer and decides to separate from her husband, to prevent him from suffering at her side; She looks for the situation in Venezuela as an excuse to migrate to Chile. He refuses to leave. She hides her illness from him, lies telling him that she doesn't love him. After she is in Chile, he learns the truth; he calls her on the phone to tell her that she will go to her side.

Argenis Herrera Sánchez

Muzej Apoksiomena - Memories in three colors

A momentary act of revenge transformed the lives of two young Indian women forever. After surviving an acid attack, while carrying scars of human brutality on their face, both Ritu and Faraha learn to redefine their lives through a sea of odd currents daily.
Strangely enough, Ritu&rsquo;s scars also brought her some fame, she occasionally finds herself talking on television, modelling at fashion events, or featuring in a Bollywood film&hellip; still, she often feels lonely. She wants to be loved and embraces an ambiguous relationship with a fellow female acid attack survivor. On the other hand, Faraha has come to terms with her post-attack singlehood and her new lease of life. As she begins to enjoy the freedom and independence, a desire to become a mother slowly brews within her.
By intertwining the shadows and lights, and hope and hopelessness in Ritu and Faraha&rsquo;s life, Ayena becomes a mirror where we can also see our own reflections.

Siddhant Sarin, Debankon S. Solanky

Muzej Apoksiomena- Mirror

The effects of the Human impact in the World can't be resolved through conflicts and wars. We need to talk about it!

Cinema Veli Lošinj -Let's talk about it! (International Politics is NOT a child's play)

The generational tradition, the respect for the sea, the fear and the challenge of man&rsquo;s adventure, the survival to eat and trade. Nothing is created, nothing is destroyed, everything is transformed. The ports of small towns, just like the one in Fano, are different. They have changed, over the years. Deeply changed. Yet, their richness hasn&rsquo;t changed. They are rich in mankind, so varied and bursting, noisy and tireless. Multiethnic: north African people, Ceylonese people, Indians, Egyptians. It&rsquo;s wrong to claim that something, once change occurs, should be considered &ldquo;dead&rdquo;.
Traditions won&rsquo;t perish as long as we hear those raucous voices, that peculiar expression, the accent of those &ldquo;oldies&rdquo; we&rsquo;ve grown up with and who are still working with the same courageous old-time determination. And in spite of everything.

Andrea Lodovichetti

Cinema Veli Lošinj - PescAmare

A girl from Calabria tells her friend of her recent trip to far-away Gorizia, on the trail of a certain Carlo Michelstaedter, a poet and philosopher who died very young in 1910 and now acknowleged as a universal genius. She was immediately struck by his character, for his longing for a life without compromises. The girl tries to discover the reason for his tragic ending. At the end of the story the protagonist sees a boy on the beach that reminds her of something: the mystery is about to be revealed.

Paolo Magris

Cinema Veli Lošinj - With the sea in your eyes - docufiction

Water is the esence of all life. It drews the Earth and the history of mankind. But it can turn into danger and even poison The rivers of Bolivia, veins of the heart of South America, are turning black, red and even disappear

Julia Blagny

Cinema Veli Lošinj - Be Water - Andes to Amazonia

Guided by a sentence from my childhood, I encounter three people in Paris: A collector of lost objects, a princess in Disneyland and a coffee seller forever rooted in her shop to the point of madness. The first person narrative echoes the stories of the filmed, questioning the possibilities of the documentary encounter. In the process the assumed distinctions between director/character ; self/other; stranger/friend are challenged and questioned. A meditation on longing, dreaming and belonging.

Juliette Joffé

Cinema Veli Lošinj - Next year, we will leave

The Democratic Republic of Congo could feed almost 1 in 2 people on Earth.
Yet one in six Congolese people suffer from hunger. Yet one in two Congolese suffers from moderate acute malnutrition. Yet agriculture accounts for 70% of the population there.
Faced with this paradox, the peasants regroup in agricultural cooperatives. A handful of them share their daily lives with us, that of all those they represent.
Even if they don't know each other, live thousands of hundreds of kilometers from each other, participate in different agricultural sectors, their voices resonate in this powerful, sensitive and sincere documentary.

Antonio Spano

Cinema Veli Lošinj - Amuka

In Ann Arbor, Michigan, authorities close down a tent city for homeless people although it had been a success.

Anthony Collings

Muzej Apoksiomena - TAKE NOTICE: A Camp for the Homeless

&ldquo;Ushiku&rdquo; takes viewers deep into the psychological and physical environment inhabited by foreign detainees in one of the largest immigration detention facilities in Japan. On the eve of Japan's recent--and highly contentious--immigration reform efforts, the filmmaker eludes press embargoes the government has imposed on its immigration facilities, bringing viewers into immediate contact with the detainees, many of whom are refugees seeking asylum. Detainees are held indefinitely and subject to physically violent deportation attempts by Japanese authorities against a background of the ensuing COVID-19 pandemic and with the spectacle of the Tokyo Olympics looming on the immediate horizon.

Thomas Ash

Muzej Apoksiomena - Ushiku

During the lockdown, the life of teenagers all around the world became the same: no school, no friends, no freedom. The shrinking of the daily routine we all witnessed has probably been even more challenging for them, sentenced to live with their parents and forget personal boundaries at the most complicated age. Europa che Sogna follows the similar fate of the adolescents of the Oratory of Gratosoglio in Milan, the Des Ambrois highschool in Turin, and the Grbavica II elementary school in Sarajevo: the Italian ones forced into lockdown, the Bosnian ones in quarantine for having taken part in the Peace Campus in Milan in February 2020. This experience will undoubtedly change their lives forever, but they will learn that their voices are stronger than any kind of wall.

Ado Hasanović

Muzej Apoksiomena - Europa che sogna

For the past twenty-five years, the Democratic Republic of Congo has been torn apart by a war that has been largely ignored by the media and the international community. The number of victims is in the hundreds of thousands, if not millions. The perpetrators of these crimes are countless &ndash; more than numerous rebel movements, there were armies from Congo and neighbouring countries. All seem to be caught up in a dizzying array of massacres, for the sake of power and money by monopolizing Congo&rsquo;s wealth with impunity and complete indifference.

Thierry Michel

Muzej Apoksiomena- The Empire of Silence

On Central London&rsquo;s Highbury Corner, a group of protesters led by seasoned eco-activist Larch are protesting against the felling of seven trees, on land allocated for the construction of luxury flats. They have occupied the site for months and are preparing to resist any attempt to force them out. Barricades are erected and tunnels dug. According to Larch, this struggle is not only to save the trees, but to save the planet.

Teilo Vellacott

Muzej Apoksiomena - On the ground

Goran Božičević, (1962, Zadar) mirovni učitelj, suosnivač Volonterskog projekta Pakrac (1993) i Centra za mirovne studije (1997) gdje predaje na Mirovnim studijima teme Izgradnje mira. Pokretač MIRamiDA &ndash; Prvih treninga izgradnje mira u post-YU zemljama (od 1995). Radi u svim zemljama JI Europe i Ukrajini gdje mu je 2020 prevedena knjiga &bdquo;Gradnja dijaloga &ndash; Izabrani primjeri rada na pomirenju u Hrvatskoj&ldquo;&nbsp; UNDP 2016. Blizak tradicionalnim kr&scaron;ćanskim mirovnim crkvama Menonitima i Kvekerima. Za Quaker Peace &amp; Social Witness radio kao predstavnik na programu Suočavanja s pro&scaron;losti od 2002 do 2009. Među pionirima rada na uključivanju ratnih veterana/ branitelja u procese izgradnje mira. Pi&scaron;e kolumnu #miramidalije za portal&nbsp;<a href="https://politikenenasilja.org/H-alter.org">H-alter.org</a>&nbsp;od 2014. Na njemačkoj Akademiji za transformaciju sukoba od 2019 predaje teme Konstruktivne intervencije u sukob. Živi u Bujama.&nbsp;<a href="https://www.forumzfd-akademie.de/en/goran-bozicevic">https://www.forumzfd-akademie.de/en/goran-bozicevic</a>
&nbsp;
U sklopu rata u Ukrajini, te u sve većeg nesrazmjera bogatih i siroma&scaron;nih. Većih tenzija unutar samih granica EU, ova otvorena diskusija ima za cilj otvoriti neke nove vidike i ostvariti povezivanje kako bi shvatili srž problema na koje nailazimo u svijetu, ali i u na&scaron;oj okolini

Cinema Veli Lošinj -Open discussion about Peace with Goran Bozicevic

"If we told the truth" travels from Vienna to Copenhagen, Malta to Amsterdam and South Italy to Berlin with the goal to understand what can be done to react to a culpable torpor, a mass denial that touches us all.&nbsp; We meet businessmen who denounce, magistrates who investigate, teachers and educators who are personally committed, journalists who do not back down despite the threats, relatives of the victims of the &rsquo;NDRANGHETA who do not give up, associations and companies that join together and propose new ways of doing business. If we told the truth is a journey involving students, teachers, journalists, magistrates, businessmen, artists and educators who strive to envisage a new path to a world finally free from the virus of organized crime.

Emanuela Giordano, Giulia Minoli

Cinema Veli Lošinj - If we told the truth

From the days in which the mountain trembled, they remain anchored to the heavy debris that still obstruct the roads, without being able to fly away, towards some sort of future. Between the 24th of August 2016 and January 2017, their houses crumbled to dust, the people they knew disappeared or were displaced somewhere far: those who remained had to deal with the desolation, gathering on the collapsed walls of the villages, herding the animals on abandoned land, floating in a bubble of eternal present from which it is difficult to see a future besides an old run down bell tower.

Matteo Grimaldi, Giacomo Boeri

Cinema Veli Lošinj - Terra Sospesa

Reward ceremony will be held in Muzej Apoksiomena in Mali Lo&scaron;inj, starting at 19:00 o'clock.
Hope you will book your seat on time. After the ceremony we will show the best debut movie, and we go back in Veli Lo&scaron;inj for the #Concert of #twoolddogs starting at 21:00

Museum Apoksiomena- Reward Ceremony

Two old dogs, koncert u povodu zatvaranja APOX film festivala i zatvaranja kina Veli Lo&scaron;inj do kraja renovacije krova, &scaron;to se nadamo da će biti &scaron;to brže, a kvalitetno napravljeno.
&nbsp;
Uživajte u Rock-u 80-tih(ex yu rock) i dođite u kino Veli Lo&scaron;inj 11.10. u 21:00

Concert for the end of APOX 2022

Irena Grdinić i Mario Lipov&scaron;ek Battifiaca, &scaron;iroj publici poznata imena voditeljske i glazbene scene, osmislili su predstavu Casabianca kojom, nakon tmurnih i napetih vremena, žele nasmijati publiku i prikazati smije&scaron;nu stranu života jednog tipičnog domaćeg bračnog para, od 60-ih godina pro&scaron;log stoljeća do danas. Oni su Đurđa i Franko. Upoznali su se 60-ih. Ona je bila poduzetna, a on nagovorljiv. On kaže da je ona bila nasrtljiva, a ona da je on bio mlakonja. Gledali su Casablancu i započeli romansu. Bilo je lijepo dok je trajalo. A onda je do&scaron;ao brak. Pa djeca. Komunizam pa kapitalizam. Partija pa stranke. Trendovi su se mijenjali, a Đurđa i Franko trajali. Ne bez problema. Jer kao &scaron;to bi rekao Franko: Život se more opisat z tri besedi. Vavek neki k&hellip;

Casabianca

37. godina prije na&scaron;e ere. Mladog Liburna Volsusa sa sobom povede rimska jedinica čiji se naoko jednostavan zadatak skupljanja poreza pretvori u napet i iznenadnim obratima prepleten susret s lokalnim, naizgled pokorenim ilirskim plemenima. Očima ovog, za Rimljane primitivnog barbara, pratimo arhaičan, emotivan svijet začudnih, brutalnih zakona i običaja, sličniji na&scaron;em suvremenom svijetu nego &scaron;to bismo to očekivali u prvi mah.

ILLYRICVM

Krajem sedamdesetih godina u Rijeci, oformit će se amaterski rock-bend. No razvoj neće teći bez problema. Klavijaturist Denis prolazi kroz te&scaron;ko razdoblje uzrokovano traumom. Njegova sestra Miranda, ne želeći prihvatiti bratovo lo&scaron;e psihičko stanje, preda oglas za audiciju i okupljanje benda. Denis tad uviđa da mora nastaviti dalje i da su mu novi ljudi u životu itekako potrebni. Novooformljeni bend sve se više zbližava; piše se autorska pjesma, rađaju se i prve ljubavi. No, glavni vokal Željko počinje iskazivati nezadovoljstvo činjenicom da je Denis lider benda.

Yunaci Rocka

Njegova je jedina želja da se ovaj Božić može vratiti kući svojim roditeljima. Međutim, provodi ga s nepoznatom imućnom obitelji i djevojčicom Lučkom koja za Božić želi sestricu i &scaron;tenca. Usred Badnje noći, Erik i Lučka u dnevnom boravku misle da su susreli Djeda Božićnjaka, no to je ustvari maskirani lopov. Puna nade, djeca se skriju u njegov auto. Tada za njih kreće nevjerojatna pustolovina.

Kapa- Božični film za djecu

Originalna porodična akcijska avantura studija Walt Disney Animation predstavlja legendarnu porodicu istraživača koja poku&scaron;ava ploviti neistraženom, tajanstvenom zemljom zajedno sa &scaron;arolikom ekipom koja uključuje nesta&scaron;nu mrlju, tronožnog psa i mno&scaron;tvo proždrljivih stvorenja.

Strange World

Pozivamo sve na #humanitarni #standup nastup Antonio Bujačić&nbsp;19.11.2022 u sklopu humanitarnog nogometnog turnira Veli Lo&scaron;inj&nbsp;koji će se organizirati za Humanitarna udruga "Veloselsko srce" : Udruga "Veloselsko srce" osnovana je isključivo kako bi pomogli na&scaron;e male sumje&scaron;tane, a funkcionira na bazi volonterskog rada. Uplatom mjesečne članarine u iznosu od 20,00 kn pomažete samohrane roditelje i njihove mali&scaron;ane. Sva prikupljenja sredstva s ovog nastupa se uplaćuju na račun Humanitarna udruga "Veloselsko srce" te se nadamo &scaron;to većem odazivu na&scaron;ih sumje&scaron;tana. Rezervirajte svoje mjesto na vrijeme.

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Cinema Veli Lošinj -Genocide and Movements

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